London Writers' Salon

• #167: Anna Davis, founder of Curtis Brown Creative — Learning How to Write: Messy Drafts, the Rewrite Doctor, and What Agents Want

  Anna Davis, novelist, agent, and founder of Curtis Brown Creative, shares how to turn a messy first draft into a strong, market-ready novel through diagnostic editing, practical rewriting tools, and a clear understanding of what agents actually look for.You'll learn:Why every writer’s process is different (and why messy drafts are fine).How to diagnose problems mid-novel and bring a manuscript back to life.The Rewrite Doctor method: creating distance, interrogating your story, and planning the edit.How to stress-test structure, plot, and pacing without relying on rigid templates.Using prompts and “play” to loosen up when you’re stuck.How to choose between competing novel ideas and know which has real legs.What agents are truly looking for and how to make your submission stand out.Common myths about publishing (and what actually happens behind the scenes). Resources and Links:Curtis Brown Creative CoursesCBC Editorial Services Friend Request by Laura Marshall  The Rewrite Doctor CourseEdit and Pitch Your Novel Book a consultation with Curtis Brown CreativeWriters’ Hour  About Anna DavisAnna Davis is the founder and Director of Curtis Brown Creative, a leading UK writing school she launched in 2011. She’s the author of five novels published in twenty languages, a former journalist and Guardian columnist, and previously worked as a literary agent at Curtis Brown and a creative-writing lecturer at the University of Manchester. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

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• #166: Kate McKean — Author and Literary Agent on Building a Writing Life: Pitches, Rejections, and Publishing Truths

  Literary agent and author Kate McKean shares how to pitch like a human, read rejection letters usefully, and protect your joy so you can build a durable writing life. You'll learn:How to build a clear 1–2 line pitch others can repeat and sell.How to read rejection letters, spot strong notes, and decide when to revise.Query etiquette and timelines: when to follow up and how resubmissions work.Fixing weak nonfiction proposals with clearer scope, audience, and takeaway.Write for the reader: comp titles, positioning, and a useful synopsis.US vs UK agenting models and what that means for money and process.Why agents don’t steal ideas and why execution is what matters.Self-publishing realities: expectations, track records, and when it helps the book. Resources and Links:📑 Interview TranscriptAgents & Books SubstackMargo’s Got Money Troubles by Rufi ThorpeWrite Through It Howard Morhaim Literary Agency  About Kate McKeanKate McKean is a literary agent at the Howard Morhaim Literary Agency, author of Write Through It, and the writer of the Agents & Books newsletter; she represents a wide range of fiction and nonfiction and fields hundreds of queries each month. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

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• #165: Carys Shannon — Debut Novelist on Choosing an Indie Press, Finding Your Voice, Writers’ Hour, and Holding Your Vision

  Debut novelist Carys Shannon on how to stay true to your voice through submissions and agent feedback, why an editorially led indie press was the right home for her book, and the craft that brought it to life.We discuss:How to decide what your book wants to be and center its emotional life.Submission strategy after competitions: reading agent feedback without losing your vision.Indie presses 101: editorially led models, scale, and alignment.Contracts with a small press: advances, rights splits, and what to expect.Publicity with an indie: bespoke support and realistic reach.Craft choices that unlocked the book: first-person present vs close third, “killing your darlings.”Landscape as character.Redefining success through integrity of voice. Resources and Links:📑Interview TranscriptTruth Like WaterCree Hummingbird by Tristan Hughes Mslexia Indie Press GuideBig Magic by Elizabeth Gilbert  About Carys ShannonCarys Shannon is a Welsh writer whose debut novel Truth Like Water (Parthian Books) was longlisted for the Bath Novel Award and the Mslexia Novel Award, shortlisted for the Caledonia Novel Award, and winner of the Jericho Writers Festival of Writing Prize. Her short fiction has appeared with Honno Press, Parthian Books, and Mslexia Magazine, with work broadcast on BBC Radio 4. She’s originally from North Gower, Swansea, and divides her time between Wales and the Spanish Pyrenees. About Parthian BooksParthian is an independent, editorially led publisher based in Cardigan, Wales. Founded in 1993, it champions debut and regional voices across contemporary fiction, poetry, drama, non-fiction, and literature in translation.  For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

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• #164: Liv Maidment — A Literary Agent’s Playbook for Writers: Query Smart, Pick Comps, Nail the Pitch & Synopsis, and Today’s Market

  Head of Books at the Madeleine Milburn Agency, Liv Maidment, shares how literary agents read, evaluate, and champion submissions (from pitches and comps to strategy, timelines, and today’s AI-driven market), helping writers pitch their work clearly and confidently.You'll learn:How to build a snappy 1–2 line elevator pitch that helps everyone down the chain sell your book (“the art of summing something up in one or two sentences”).Tips for writing comp titles and using them smartly.Blurbs vs synopses: how the pitch sells your book while the synopsis tells your book.What strong synopses and author bios must include: how much to reveal, and why they matter.Why agent editorial and development with an agent still matter.Today’s submission etiquette: realistic timelines, when to chase, and how resubmissions work.Market and positioning: genres currently on the rise, platform and geography demystified (do you need social media, does location matter).Implications of AI in today's publishing landscape: contracts, transparency, and more.More exclusive insight and advice for writers from an expert on the other side of the publishing industry. Resources and Links:📑Interview TranscriptMadeleine Milburn WebsiteSubmission FAQs About Liv MaidmentLiv Maidment is Head of Books at the Madeleine Milburn Literary Agency, representing a prizewinning list of literary, upmarket, and book club fiction. She previously worked at The Blair Partnership and United Agents and has brokered major UK and North American deals, guiding debut and established authors throughout their careers.  For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

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• #163: Indyana Schneider — Lessons from an Opera Singer Who Wrote Her Novel on the Tube; Rhythm, Desire & Tension for Fiction Writers

  Indyana Schneider—international opera singer and novelist—shares practical ways to write rhythm and desire on the page, craft scene-level tension, and shape compressed-time narratives; plus lessons from drafting her debut on the Tube.  You'll learn:How to build sentence-level cadence: vary lengths and read aloud to tune flow.A simple spine for short-timeframe novels: day-by-day beats, rising stakes, a final choice.Where to start and stop scenes so pages move (start late, leave early).Writing desire without cliché: stay in character voice; revise for rhythm and clarity.Turning musical training into prose: sensory sequencing that guides attention.When to query (and what “ready” looked like) plus handling editorial feedback.Smart ways to measure success beyond sales and keep momentum across careers. Resources and Links:📑Interview TranscriptSince the World is Ending by Indyana Schneider28 Questions by Indyana SchneiderIf the World Was Ending by JP Saxe ft Julia MichaelsWhat Makes a Bestseller? | Jonny Geller | TEDxOxford ReaderBankOne Day by David NichollsFundamentally by Nussaibah YounisSo Thrilled for You by Holly BourneThe Transgender Issue by Shon FayeLove in Exile by Shon FayeI Love You, I Love You, I Love You by Laura DockrillIndy’s Instagram About Indyana SchneiderIndyana Schneider is an international opera singer and novelist from Sydney. She studied Music at Oxford and Opera in Hanover, completed training at the Zurich Opera studio, and now performs across the UK, Europe, and Australia. She is the author of 28 Questions and Since the World Is Ending, a novel set over a sweltering weekend in Vienna, steeped in music, desire, and consequence. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

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