443 episodes
- Immigration agents have a frontline view of the racial, economic, and legal inequalities that undocumented migration reflects—and yet most agents do not think of the role their jobs play in those inequalities. Instead, they consider themselves law enforcers, trained to confine their work strictly to crime control and security. In Bordering on Indifference: Immigration Agents Negotiating Race and Morality (Princeton UP, 2025), Dr. Irene Vega offers an original, detailed analysis of the rationales that shape how U.S. immigration agents understand and carry out their professional responsibilities. Drawing on interviews with ninety immigration agents—Border Patrol Agents and ICE Deportation Officers, most of whom are Mexican Americans from the region around the border—Dr. Vega examines why they took the job and how their training and socialization shape the ways that they grapple with the racial and moral issues raised by their work.Dr. Vega shows that indifference is the bureaucratic resource that allows agents to look away from the most morally ambiguous aspects of their work and helps them cultivate legitimacy for their employer. She traces the development of the agents’ “moral economy”—the configuration of norms, values, and sensibilities that undergirds how they perform their work. She also shows how the immigration system benefits from minoritized bureaucrats’ labor. With Bordering on Indifference, Dr. Vega opens the closed doors of nondescript government buildings and goes into remote areas of the Southwestern borderlands to uncover the hidden normative world that immigration enforcement agents inhabit.
Guest: Dr. Irene I. Vega is associate professor of sociology at the University of California, Irvine. She studies how the United States regulates international migration, as well as migrants and their descendants.
Host: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast.
Playlist for listeners:
A Brief History of the World in 47 Borders
Immigration Realities
We Are Not Dreamers
Secret Harvests
Who Gets Believed
In The Care of Foreigners
In The Garden Behind The Moon
We Take Our Cities With Us
The Translators Daughter
Reunited
Sin Padres Ni Papeles
Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
Learn more about your ad choices. Visit megaphone.fm/adchoices Valena Beety, "Pink Crime: Fighting Against the Criminalization of Motherhood, Pregnancy, and Queer Identity" (New Press, 2026)
04/08/2026 | 25 mins.A woman miscarries—and is charged with murder. A new mother tests
positive for a drug her hospital administered—and loses custody of her
newborn. Four women are convicted of horrific crimes against children
they never touched, based on junk science and homophobia—and spend
nearly twenty years in prison before being exonerated. A queer teenager
takes a photo of a child’s diaper rash at work—and is sentenced to 126
years. These cases are not aberrations. They are symptoms of a system
that punishes women and queer people not for what they have done, but
for who they are.
In the United States, nearly three-quarters of all wrongly convicted
women were convicted of crimes that never occurred at all. In Pink Crime: Fighting Against the Criminalization of Motherhood, Pregnancy, and Queer Identity
(New Press, 2026), Dr. Valena Beety, co-founder of the Indiana Innocence
Project and award-winning legal scholar cited by Justice Sonia
Sotomayor, reveals how ordinary tragedies—a child’s sudden death, a
husband who dies in his sleep—are transformed by prosecutors into
murders that never happened. These “no crime” convictions
disproportionately target women and queer people, whose identities are
recast as evidence of guilt through bias, junk science, and entrenched
stereotypes.
Drawing on devastating real-life cases, Dr. Beety
exposes how prosecutorial overreach, flawed forensic science, and
cultural panic converge—and how fetal personhood laws, the fall of Roe
v. Wade, and anti-LGBTQ+ legislation have dramatically expanded the
reach of criminal law. What emerges is a chilling portrait of a legal
system that increasingly criminalizes pregnancy outcomes, motherhood,
and queer identity itself.
This interview was conducted by Dr. Miranda Melcher whose book
focuses on post-conflict military integration, understanding treaty
negotiation and implementation in civil war contexts, with qualitative
analysis of the Angolan and Mozambican civil wars. You can find
Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoicesAsher Emanuel, "The Valley: Crime and Punishment in a New Zealand City" (Bridget Williams Books, 2026)
03/08/2026 | 1h 5 mins.There were two days to Christmas
and Lewis felt like everything was spinning out of control. He wondered
what he would say to the judge this time. His client, Rikihana, was
already on multiple shoplifting charges. What’s a few more? Lewis thought. These supermarkets were still making a killing.
It’s
late 2020. Rikihana Wallace, a prolific shoplifter of no fixed abode,
is back in prison with little chance of bail. Nathan Morley, unemployed,
is facing burglary charges and hoping his other, as yet undetected,
offences don’t catch up with him. Lewis Skerrett, their overstretched
legal aid lawyer, is trying to do right by them both.
The culmination of over two years of field research and hundreds of hours of interviews, The Valley: Crime and Punishment in a New Zealand City (Bridget Williams Books, 2026) follows
these three Hutt Valley men through courtrooms, prison, hospital,
rehab, boarding houses and welfare offices. Told largely in
verbatim dialogue, this up-close and personal account brings the
realities of the New Zealand criminal justice system to life through the
voices of those who experience it first-hand.
Watch the book trailer here
Asher
Emanuel is a writer and lawyer based in Wellington. His exposure to the
criminal justice system began when he was a judges’ clerk at the
Wellington High Court after graduating from law school in 2015. He later
worked as an investigator for the Inspector-General of Intelligence and
Security and, as a lawyer, has assisted
several government inquiries. His writing on justice and policy issues
has appeared in The Spinoff, the New Zealand Herald, and specialist
publications, and he is a former editor of Policy.nz, an election policy
website. He began work on his first book, The Valley,
in 2018 supported by grants from the Michael & Suzanne Borrin
Foundation. Asher now works as a civil legal aid lawyer focusing on
public law and human rights cases. He is a longstanding member of the
executive of the Aotearoa Legal Workers’ Union. Asher grew up in
Auckland before moving to Wellington where he studied law and English
literature.
Ed Amon has a Master of Indigenous Studies and is a PhD Candidate
at the University of Auckland, New Zealand. He is a writer and a
Stand-up Comedian. His main interests are indigenous studies, politics,
history, and cricket. Follow him on twitter @edamoned or email him at edamonnz@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoicesMeredith Gamer, "City of the Gallows: Art and Execution in Eighteenth-Century London" (Yale UP, 2026)
27/07/2026 | 1h 2 mins.City of the Gallows: Art and Execution in Eighteenth-Century London (Yale UP, 2026) uncovers the complex and often unexpected connections between eighteenth-century London’s sites of punishment and its spaces of art-making, instruction, and display. Drawing together a wide range of images, objects, and texts – from popular woodcuts and anatomical sculptures to moral tracts and dictionaries of slang – it offers new readings of works by major artists, such as William Hogarth, Johan Zoffany, and Joseph Wright of Derby, and shines a light on others that traditional accounts of the period have overlooked or ignored. In doing so, this book shows how state violence shaped the art and visual culture of this era, whose legacies persist to this day.
Kelsey Brosnan is an art historian specializing in eighteenth- and nineteenth-century French art. Her book on the still-life painter Anne Vallayer-Coster was published by Lund Humphries and Getty Publications in 2026. kb2348@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoicesMatthew Ritger, "Houses of Correction: Carceral Institutions and Humanist Culture in Early Modern England" (U Pennsylvania Press, 2026)
27/07/2026 | 46 mins.Today’s guest, Matthew Ritger, is the author of Houses of Correction: Carceral Institutions and Humanist Culture in Early Modern England (U Pennsylvania Press, 2026). This book delves into the archival records of Bridewell, Europe’s first house of correction, which was overseen by the humanist reformer Richard Grafton. It makes the case that the Bridewell prison and workhouse were central to the history of humanism in ways that both challenge idealized notions of European humanism and illustrate its commitments to civic and Christian reform. The book explores Bridewell’s mission to discipline the poor and the “idle” through hard labor, vocational training, and basic education, while also exposing its coercive and exploitative practices, which included whippings, forced labor, and the infliction of fear.
Houses of Correction also explores how Bridewell contributed to a broader humanist culture of correction, which united textual methods with practical forms of knowledge, and which extended to rhetorical and textual forms, as well as literary productions. The book’s five chapters connect the history and influence of Bridewell to a range of literary texts, including Thomas More’s Utopia, Shakespeare’s Henry VIII, Measure for Measure, and The Tempest, and Milton’s Of Educationand Samson Agonistes.
Through its interrogation of the logic of carceral humanism, Houses of Correction demonstrates the crucial role that Bridewell played in cultivating a culture of correction that pervaded humanist education, textual practices, and literary representations.
Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance.
Learn more about your ad choices. Visit megaphone.fm/adchoices
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