Radical Elphame

When you look at the oldest and most intact spiritualities around the world, you will find that, at the center of their practice, is ancestral veneration. For many of us who were raised in less intact spiritualities and in cultures with a tendency to mold prevailing religions to the will of Empire, venerating our ancestors can feel complicated, to say the least. The same cultures that tend to mold religions to the will of Empire, also have a habit of tainting our ancestral line. It doesn't take long tracing back the family trees of many of us to run into the stains and wounds of colonialism, racism, and patriarchy. I think for many of us in this situation, not interested in inviting these influences into our spiritual lives, it's easy to feel like ancestor veneration just "isn't for us."  Aidan Wachter is one of my favorite thinkers on the subject of sitting with the trouble of working with ancestors, and the actionable techniques they've developed to productively navigate these practices are unrivaled, in my opinion. On top of offering unique methods to heal and remediate more negative aspects of our ancestral lines, Aidan also has another very interesting solution for those of us who might face this spiritual conundrum in our own practice. Aidan has a name for the ancestors that come to us from the deep and distant past, and whose insights and motivations seem to bypass much of the taint of Empire. Aidan calls them the "Old Lines," and they are regularly explored on their invaluable Patreon platform as well as the focus of their upcoming book: Spirit & Stone: Animism and the Old Lines. In our chat today, Aidan and I go deep into the Old Lines, considering how this kind of ancestor work is unique from what we typically encounter when exploring the subject, and also how we might begin working with spirits from the Old Line that come to us with no ancestral ties. Speaking of "invaluable Patreon platforms," I probably don't plug mine enough, but to hear my extended conversation with Aidan, you can find it and many other additional bonus interviews on our Raidcal Elphame Patreon page. In my bonus chat with Aidan, we dive into a fascinating new area of focus for them that they're still exploring and unraveling. I can't recommend it enough. SHOW NOTES: Aidan's Website: aidanwachter.com Aidan's Patreon: https://www.patreon.com/aidanwachter Aidan's upcoming conference appearances: Between-the-Worlds

Folk magic has a powerful pull. It can express complex metaphysical ideas that, for most of us practicing today, had once felt like the purview of the "New Age." Magical ideas that once seemed fantastical, through the lens of folk magic, can suddenly feel earthy and vital. Techniques that once felt silly can begin to feel ancestral. The source texts go from channeled writings, to myths and folktales, and academic papers. There's an artistry and intelligence grouped in with modern-day practitioners of folk magic that give the disenchanted "Western" mind permission to think differently. Coupled with the aesthetic power and the engrossing scholarship inherent in the modern-day study of folk magic, can sometimes be a cold distance and a whiff of a larp. Can the practices of people alive during the Witch Trials, people who might scry entrails, or bleed their cattle on fairy hills to propiciate the Good Neighbors, ever truly be unlocked for a person in a contemporary world so removed from this archaic way of life? Even as someone with a podcast that focuses on folk magic, I often feel like there can be something missing in translation when I encounter many of these antiquated and esoteric beliefs and practices, especially when sifted through and untangled from primary sources. I am extremely lucky to have just returned from an intensive workshop with Corinne Boyer in Washington State. There are many great things I can say about studying under Corinne, but paramount for me is how alive she can make the folkloric practices and beliefs, which in less capable hands might feel like mere relics or curios. Rooted in her deep study of the folk beliefs surrounding plants, trees, the dead, and wider metaphysics, Corinne has that rare ability to re-enchant and unlock a worldview and way of life that otherwise may have vanished completely. Corinne's almost playful willingness to test drive and experiment with the folkways of our ancestors felt like it summoned them to the room and made them feel at home and welcomed in our world.  SHOW NOTES: Sign up for Classes with Corinne: Maple Mist Wood Corinne's Bibliography: Books IG: @maplemistwood  

They're on bumper stickers, they're on bags of jerky, they're on bars of soap, and if you're not seeing an ancient alien on the History Channel, you're almost certainly seeing someone searching for them in the woods. Big Foot, Sasquatch, Oh Mah, Sunk Ape – they go by many names, and are spotted throughout North America, and beyond. For some, they are a myth; for some, a monster; and for the rest, a mascot. The loudest amongst their fans will tell you they are a flesh and blood relic hominid, and describe their migration patterns, their use of infrasound to evade capture, and, of course, their pendulous breasts. So what, then, does "Big Foot" have to do with the mythic Woodwose of European folklore? The sometimes therianthropic wild man you find in the art and literature of Medieval Europe, and sometimes even in the hagiographies of Saints. What could this mysterious European archetype have in common with America's most popular cryptid? The real question may be, what don't they have in common? Both Bigfoot and the Woodwose exist as symbols of the uncivilized natural world, its dangers, and the faint familiarity with a time in the distant past when this was also our home. Both display supernatural-seeming abilities. Both challenge us and inspire us. Both have no hard scientific evidence of existing. The callous skeptic would conclude that this comparison perfectly illustrates why belief in Bigfoot is absurd. To the Occultist, the Animist, the Magician, however, such clear deliniations between reality and fantasy are never to be trusted. What the skeptic forgets are the beliefs of the native inhabitants of Turtle Island, who all speak of these creatures in the same breath as bears, deer, and coyotes. To Indigenous People of this land, creatures that we now call Bigfoot are very real, and they also have more in common with nature spirits than gorillas.  Nay Noodmans gave a fantastic presentation at this year's Salem Witchcraft and Folklore Festival, exploring all of these ideas and many more. I'm so excited to have her back on the show to chat about the history of the Woodwose, how the Magician should reconsider Bigfoot, and of course we make time to swap personal stories about life in Far Northern California's Bigfoot Country.  SHOW NOTES:  House of Gnomi: https://www.instagram.com/houseofgnomi/ Nay's Links: https://linktr.ee/houseofgnomi Salem Witchcraft & Folklore Festival: Salemwitchfest

What is it that draws occultists to horror films, when by in large, the history of horror cinema is essentially anti-occult propaganda? Despite what can seem like a counterintuitive interest on the part of practitioners, the fact remains that the horror genre is the last bastion of regular engagement with the spirit world left in contemporary media, and therefore a natural draw for people who see the spiritual as fundamental to everyday life. Another consideration is the cathartic embrace of the shadow on display in horror, and often staring death right in the face. Both things our culture in the West tries to aggressively sterilize out of how we do life, but that practitioners know we can't escape.  In the spirit of the spooky season, I wanted to take a closer look at the horror film, and in particular, our relationship to it as people who make magic and dabble in the occult. And what is scarier than a horror film? A cursed horror film! To navigate the complex metaphysics that might be lurking behind the legends of these supposedly cursed films, and to try to understand what makes a curse in the first place, I knew I had to have on B. Key and Sfinga from the essential The Frightful Howls You May Hear podcast and With Cunning & Command blog.  Sfinga and Key bring to the show a wide-ranging perspective on why horror films matter so much to the magical folks of the world, and how the nature of curses that can take hold in any part of life can easily find a home in the media we produce. Join the Patreon for an even deeper dive into the nature of cursed media, and some tips for how one might go about making a cursed film … if they so desired.  SHOW NOTES: Sfinga and Key's website: With Cunning and Command Website Sfinga and Key's Podcast: The Frightful Howls You May Hear Sfinga's IG: Dragoncunning B. Key's IG: Barnowl.key

I had to reschedule an interview for the first half of this month, but I didn't want to leave you hanging this week, so I recorded an essay I put out on our Foliate Head Substack recently for your listening pleasure. Nora Fornario has always been a deep fascination of mine, whom I find to be misunderstood and often explored in ways that ignore her most interesting aspects in favor of a more lurid true-crime bent. This essay is less focused on the infamous death of Nora Fornario, but rather a deep dive into what we can speculate about her own ideas and magical practice. The TL;DR is Witchcraft.  Back to the regularly scheduled program next week. SHOW NOTES: Check out our Substack Here: The Foliate Head