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Radical Elphame

Chad Andro
Radical Elphame
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  • Hillbilly Woodwose with Nay Noordmans
    They're on bumper stickers, they're on bags of jerky, they're on bars of soap, and if you're not seeing an ancient alien on the History Channel, you're almost certainly seeing someone searching for them in the woods. Big Foot, Sasquatch, Oh Mah, Sunk Ape – they go by many names, and are spotted throughout North America, and beyond. For some, they are a myth; for some, a monster; and for the rest, a mascot. The loudest amongst their fans will tell you they are a flesh and blood relic hominid, and describe their migration patterns, their use of infrasound to evade capture, and, of course, their pendulous breasts. So what, then, does "Big Foot" have to do with the mythic Woodwose of European folklore? The sometimes therianthropic wild man you find in the art and literature of Medieval Europe, and sometimes even in the hagiographies of Saints. What could this mysterious European archetype have in common with America's most popular cryptid? The real question may be, what don't they have in common? Both Bigfoot and the Woodwose exist as symbols of the uncivilized natural world, its dangers, and the faint familiarity with a time in the distant past when this was also our home. Both display supernatural-seeming abilities. Both challenge us and inspire us. Both have no hard scientific evidence of existing. The callous skeptic would conclude that this comparison perfectly illustrates why belief in Bigfoot is absurd. To the Occultist, the Animist, the Magician, however, such clear deliniations between reality and fantasy are never to be trusted. What the skeptic forgets are the beliefs of the native inhabitants of Turtle Island, who all speak of these creatures in the same breath as bears, deer, and coyotes. To Indigenous People of this land, creatures that we now call Bigfoot are very real, and they also have more in common with nature spirits than gorillas.  Nay Noodmans gave a fantastic presentation at this year's Salem Witchcraft and Folklore Festival, exploring all of these ideas and many more. I'm so excited to have her back on the show to chat about the history of the Woodwose, how the Magician should reconsider Bigfoot, and of course we make time to swap personal stories about life in Far Northern California's Bigfoot Country.  SHOW NOTES:  House of Gnomi: https://www.instagram.com/houseofgnomi/ Nay's Links: https://linktr.ee/houseofgnomi Salem Witchcraft & Folklore Festival: Salemwitchfest
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  • Cursed Films with Sfinga & B. Key
    What is it that draws occultists to horror films, when by in large, the history of horror cinema is essentially anti-occult propaganda? Despite what can seem like a counterintuitive interest on the part of practitioners, the fact remains that the horror genre is the last bastion of regular engagement with the spirit world left in contemporary media, and therefore a natural draw for people who see the spiritual as fundamental to everyday life. Another consideration is the cathartic embrace of the shadow on display in horror, and often staring death right in the face. Both things our culture in the West tries to aggressively sterilize out of how we do life, but that practitioners know we can't escape.  In the spirit of the spooky season, I wanted to take a closer look at the horror film, and in particular, our relationship to it as people who make magic and dabble in the occult. And what is scarier than a horror film? A cursed horror film! To navigate the complex metaphysics that might be lurking behind the legends of these supposedly cursed films, and to try to understand what makes a curse in the first place, I knew I had to have on B. Key and Sfinga from the essential The Frightful Howls You May Hear podcast and With Cunning & Command blog.  Sfinga and Key bring to the show a wide-ranging perspective on why horror films matter so much to the magical folks of the world, and how the nature of curses that can take hold in any part of life can easily find a home in the media we produce. Join the Patreon for an even deeper dive into the nature of cursed media, and some tips for how one might go about making a cursed film … if they so desired.  SHOW NOTES: Sfinga and Key's website: With Cunning and Command Website Sfinga and Key's Podcast: The Frightful Howls You May Hear Sfinga's IG: Dragoncunning B. Key's IG: Barnowl.key
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  • The Black Book of Norah Fornario - an Audio Essay
    I had to reschedule an interview for the first half of this month, but I didn't want to leave you hanging this week, so I recorded an essay I put out on our Foliate Head Substack recently for your listening pleasure. Nora Fornario has always been a deep fascination of mine, whom I find to be misunderstood and often explored in ways that ignore her most interesting aspects in favor of a more lurid true-crime bent. This essay is less focused on the infamous death of Nora Fornario, but rather a deep dive into what we can speculate about her own ideas and magical practice. The TL;DR is Witchcraft.  Back to the regularly scheduled program next week. SHOW NOTES: Check out our Substack Here: The Foliate Head
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  • 28 Moons Later with J.M. Hamade
    When we think about the Otherworld, we tend to do so from the perspective of this world. What is this hidden world that seems to operate so differently from our own? Who are the beings who dwell there, and what do they want with us? In J. M. Hamade's fascinating book, Procession of the Night Theater,  they explore the "night side" of astrology, offering a poetic vision of the Lunar Stations, not to be defined or calculated so much as dreamed with. It's this study of the nocturnal side of things, the hidden side of things, that not only eloquently elucidates the ancient art of working with the Lunar Mansions but also weaves expertly into the tapestry of J's many other occult and appropriately "otherworldly" interests.  The lunar stations – and working with them to divine or make talismans (or even just pair with horror movies) – opens the practitioner up to considering how understanding both "daytime" and "nighttime" approaches to magic and astrology can teach us about the visible and hidden (the exoteric and esoteric) aspects of ourselves, the world, and what is beyond.  As J points out in our conversation, the Muslim name for those who dwell in the Otherworld is Jinn, which translates to being hidden, and also in something of a state of change or flux. Furthermore, J mentions a fascinating hot take from the 13th century Sufi Mystic Ibn Arabi, who interpreted humans and Djinn as exoteric and esoteric counterparts to one another. When we take a cross cultural view of being like the Jinn – the Aos-Sidhe of the Gaels, the Elves of the Norse, the Víla of the Balkans, the Lamiak of the Basque (just to name a few) – it's fascinating to notice how as these cultures transition to more structured monotheistic cosmologies, their perspective on these "esoteric" beings becomes increasingly antagonistic.  I would be remiss to try to whitewash or philosophically domesticate these beings of the Otherworld. I could hardly imagine a less morally delineated dimesion, similar to how nothing about ourselves is ever really "black or white." But if doing this show has taught me anything, it's that understanding this realm, if not working with it directly, is still a meaningful pursuit.  When you examine groups on the fringes of these monotheistic religions and cultures, that exist within this larger cosmology but navigate it differently, you often encounter spiritual relics from the dinstant past. Sects and like the Zār of North East Africa, the Šojmanka of Eastern Serbia, and religions such as Quimbanda in Brazil, all incorporate trance possession by beings that would be considered Jinn in the wider Middle East. What are we to make of this vastly different view both of these beings, and why and how one might engage with them? J's books and insights have had a deep impact on how I consider big questions like these, and helped to shape many of my own ideas about what we can really know about the Otherworld and its role in this world.  SHOW NOTES: J's Patreon: astarnightdwell J's Podcast: A Starnight Dwell J's Book on the Lunar Stations: Procession of the Night Theatre 
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  • Magical Community IRL with Austin Fuller + Chaise Levy
    After years of thinking that the only path for building a community around the fringe pursuits of witchcraft, folk magic, or the occult were relegated to the grace of internet, two friends in vastly different parts of the country have boldly presented a proof of concept for big tent approaches to "in real life" magical communities that are fostering a inspirational alternative to more dogmatic and mainstream spiritual destinations. Austin Fuller started Occulture Tampa as a home for Witches, Occultists, and Seekers, hosted at a beloved taxidermy and oddities shop in the vibrant Ybor District in Tampa, Florida. Chaise Levy is a founding member of Animist West County, seeking to build a community around the multifaceted concept of animism in the North Bay Area of California. I wanted to bring Austin and Chaise together for a conversation about the importance of building "in real life" magical communities during these interesting times we're living through. They share their inspirations, describe the challenges of starting and maintaining these groups, and talk about the biggest surprises and rewards along the way. On a similar note, in the spirit of hoping to foster more magical community, after a year and a half of producing Radical Elphame, I'm starting a Patreon. Follow the link in the episode description bio for an extra hour of conversation with Austin and Chaise, and join The Coven of Wider Inclusion: my own "big tent" approach to a magical community, ripe for exploration, experimentation, and co-creation. If you appreciate the work we're doing on Radical Elphame and want to see it not only continue, but grow and develop, we would deeply appreciate your patronage. Along the way, we hope to not only foster a deeper connection with our audience, but rather to thin the veil between the project's creation and consumption. Come for the show you love, and stay for the bonus episodes, audio essays, experimental group rituals, horror movie nights, and more. SHOW NOTES: Join the Patreon! The Coven of Wider Inclusion Chaise's Website: chaiselevy.com Northern Spirit House Podcast: Spotify Link Northern Spirit House Substack: Substack Chaise's Instagram: @telluric_tounges Southern Bramble Podcast: Spotify Link Austin's Site: https://www.banexbramble.com/ Austin's Links: https://linktr.ee/Banexbramble
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About Radical Elphame

A podcast about The Otherworld, and the people who engage it. A journey through conversations with a wide array of thinkers, practitioners and writers. Join us as we delve into folklore, consciousness, witchcraft, and all the perennial mysteries that haunt and inspire us.
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