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  • Why Charlie Kirk’s assassination is a test for democracy — and of our decency
    It would be hard to overstate the significance of Charlie Kirk within the conservative movement and in the Trump administration. By some reckoning, his influence and social media prominence were second only to Donald Trump himself.As the founder and face of Turning Point USA, Kirk was pivotal in driving Trump’s appeal among younger voters — particularly young men. And, indeed, his singular appeal was to have made a muscular, self-assured brand of conservative Christian nationalism appealing in a hyper-online age. Hence his podcast would come to enjoy the kind of online saturation reserved for few other “content creators”. The social media algorithm was Charlie Kirk’s vernacular.It would not be right, however, to call Kirk an “online influencer”. Instead, he was a MAGA evangelist, a charismatic figure in the full sense of the word. And like all charismatic figures, while he tried to instil belief in young people, he also came to be the object of their belief — they could derive confidence from his confidence, from his self-assertiveness, from his ability to answer his detractors. Which is why his willingness to engage with his opponents in front of large crowds at colleges and on university campuses was integral to his persona.It is certainly to Kirk’s credit that he engaged in frank debate with those who were offended by his strident political convictions. But the performative logic of these “debates” was not to convince so much as it was to “own”. The true audience were not those physically present. Which is to say, point of the debates was to be turned into “content”.This begins to approach the significance of Charlie Kirk for those who have been left devastated by his assassination. Quite apart from the inherent indecency and immorality of taking the life of a young husband and father, killing Kirk has been received as an attack on a belief system — with its intertwined religious, racial and political elements — that sees itself as already threatened by “enemies within”.Assisted by how increasingly prominent his own Christianity became in recent years, Kirk represents what “America” will look like when it is made “great again”. It is no wonder, then, that he is quickly becoming canonised as a MAGA martyr.Finding smug satisfaction in the death of Charlie Kirk is to allow oneself to fall outside the bounds of fundamental decency. Wishing to “right the record” of his immoderate, frequently bigoted rhetoric, after his death, in such a way that it makes it sound as though Kirk “had it coming”, is also utterly indecent. And while there is no virtue in performing grief that one does not feel, being contemptuous of those who are grief-stricken over Kirk’s murder is itself democratically corrosive.Indeed, one of the predicates of political violence is the inability to recognise the humanity in one’s fellow citizens, and to see them only ever as bearers of a particular ideology — as “abstractions”. And that’s what is worrying about this particular political moment. Once citizens are turned into ideological abstractions — whether they’re called “fascists” or members of the “radical left” — they can be sacrificed in the service of a greater cause. In this way, contempt or the abandonment of basic decency are the conditions of possibility of “categorical” violence.If contempt and indecency are the kindling, then an event like the assassination of Charlie Kirk could provide the spark that turns the United States’ current “cold” civil war into a theatre of political violence.
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  • Bonus episode: Jane Austen’s enduring charm
    In August, Kate Evans and Cassie McCullagh from The Bookshelf on Radio National, teamed up with the indomitable Sophie Gee — Professor of English at Princeton University, Vice-Chancellor’s Fellow in the Humanities at the University of Sydney, and co-host of the podcast The Secret Life of Books — and Scott Stephens from The Minefield, to mark the 250th anniversary of the birth of Jane Austen (1775–1817).In front of a live audience at the State Library of New South Wales, the quartet discussed Austen’s innovative approach to fiction, why her novels are of such abiding interest to moral philosophy, the importance of “a room of her own” when writing, and her subtle critique of patriarchy, gender norms, slavery and religion.Finally, they reflect on three exemplary moments in Austen’s last three novels — Mansfield Park (1814), Emma (1816) and Persuasion (1818).This episode was originally broadcast on The Bookshelf on Thursday, 11 September 2025.
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  • What are we doing when we let someone ‘save face’?
    Whether it is in geopolitics or in social and personal relationships, the overweening desire to “save face” can have manifestly unjust and outright damaging consequences.Those who continue to languish under Iran’s oppressive regime take little comfort in Ayatollah Ali Khamenei being afforded the opportunity to shore up his public standing following the US missile strikes on its nuclear facilities. And Hannah Arendt correctly observed at the heart of the ‘Pentagon Papers’ a willingness on the part of the US government to lie to the American people about the status of the war in Vietnam, and thus to prolong an unwinnable and inhumane war, in order to protect “the reputation of the United States and its President”.When saving face is paramount to all other considerations, others invariably pay the price in order for the untrammeled supremacy of the ego to persist.But “ego” does not quite grasp the social complexity bound up with the concept of “face” — which suggests something closer to “honour” or a kind of thick social reputation, standing or prestige that is conferred by others, the loss of which is no mere bruised ego but a threat to one’s social existence.While this concept of “face” has partly been appropriated from Chinese culture, it nonetheless has roots in the ancient of honour/shame cultures of the Mediterranean and Asia Minor, and, as Kwame Anthony Appiah points out, finds expression fully as much in Western Europe and West Africa as it does in East Asia.Thus Immanuel Kant will warn about the moral dangers of “defamation” and of the intentional dissemination of scandalous information which, even if true, “detracts from another’s honour” and “diminishes respect for humanity as such … making misanthropy or contempt the prevalent cast of mind”. He concludes:“It is, therefore, a duty of virtue not to take malicious pleasure in exposing the faults of others so that one will be thought of as good as, or at least not worse than, others, but rather throw the veil of philanthropy [Menchenliebe] over their faults, not merely by softening our judgements but also by keeping our judgements to ourselves; for examples of respect that we give other can arouse their striving to deserve it.”Kant recognises that frequently the desire to humiliate another is not about their reproof, but about our own relative aggrandisement.Does this suggest that giving someone the ability to “save face”, even when they are found to be in the wrong, can function as both a rejection of the zero-sum logic that often prevails in honour/shame cultures (in which there is only so much social prestige to go around) and a constructive way of keeping them within a moral community?
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  • The threat that AI poses to human life — with Karen Hao
    There is something undeniably disorienting about the way AI features in public and political discussions.On some days, it is portrayed in utopian, almost messianic terms — as the essential technological innovation that will at once turbo-charge productivity and discover the cure to cancer, that will solve climate change and place the vast stores of human knowledge at the fingertips of every human being. Such are the future benefits that every dollar spent, every resource used, will have been worth it. From this vantage, artificial general intelligence (AGI) is the end, the ‘telos’, the ultimate goal, of humanity’s millennia-long relationship with technology. We will have invented our own saviour.On other days, AI is described as representing a different kind of “end” — an existential threat to human life, a technological creation that, like Frankenstein’s monster, will inevitably lay waste to its creator. The fear is straightforward enough: should humanity invent an entity whose capabilities surpass our own and whose modes of “reasoning” are unconstrained by moral norms or sentiments — call it “superintelligence” — what assurances would we have that that entity would continue to subordinate its own goals to humankind’s benefit? After all, do we know what it will “what”, or whether the existence of human beings would finally pose an impediment to its pursuits?Ever since powerful generative AI tools were made available to the public not even three years ago, chatbots have displayed troubling and hard-to-predict tendencies. They have deceived and manipulated human users, hallucinated information, spread disinformation and engaged in a range of decidedly misanthropic “behaviours”. Given the unpredictability of these more modest algorithms — which do not even approximate the much-vaunted capabilities of AGI — who’s to say how a superintelligence might behave?It’s hardly surprising, then, that the chorus of doomsayers has grown increasingly insistent over the last six months. In April, a group of AI researchers released a hypothetical scenario (called “AI 2027”) which anticipates a geopolitical “arms race” in pursuit of AGI and the emergence of a powerful AI agent that operates largely outside of human control by the end of 2027. In the same vein, later this month two pioneering researchers in the field of AI — Eliezer Yudkowsy and Nate Soares — are releasing their book, If Anyone Builds It, Everyone Dies: The Case Against Superintelligent AI.For all this, there is a disconcerting irony that shouldn’t be overlooked. Warnings about the existential risk posed by AI have accompanied every stage of its development — and those warnings have been articulated by the leaders in the field of AI research themselves.This suggests that warnings of an extinction event due to the advent of AGI are, perversely, being used both to spruik the godlike potential of these companies’ product and to justify the need for gargantuan amounts of money and resources to ensure “we” get there before “our enemies” do. Which is to say, existential risk is serving to underwrite a cult of AI inevitabalism, thus legitimating the heedless pursuit of AGI itself.Could we say, perhaps, that the very prospect of some extinction event, of some future where humanity is subservient to superintelligent overlords, is acting as a kind of decoy, a distraction from the very real ways that human beings, communities and the natural world are being exploited in the service of the goal of being the first to create artificial general intelligence?Guest: Karen Hao is the author of Empire of AI: Inside the Reckless Race for Total Domination.
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  • Are there inherent limits on what should be said in public debate?
    In the middle of August, the Bendigo Writers Festival found itself at the centre of a firestorm after over fifty participants decided to withdraw — some claiming they were required to engage in a form of “self-censorship”, and others withdrawing in solidarity.Reports have it that, two days before the festival was due to open, a “code of conduct” was sent to those taking part in the one of the four La Trobe Presents panels, “urging compliance with the principles espoused in [the university]’s Anti-Racism Plan, including the definitions of antisemitism and Islamophobia in the Plan”. The code also asked participants to practice “respectful engagement” and “[a]void language or topics that could be considered inflammatory, divisive, or disrespectful”.For many of those due to take part in the writers’ festival, this code of conduct amounted to a demand for self-censorship over what they hold to be a “genocide” taking place in Gaza, and would prevent them from criticising the actions of the State of Israel, “Zionism” as an ideology and, by extension, “Zionists”.This is just the latest of a series of controversies surrounding Australian writers’ festivals — some of which pre-date the massacre of Israeli civilians on 7 October 2023 and the onset of Israel’s devastating military incursion into Gaza, but which have now intensified and been rendered even more intractable by those events.The conflict in Gaza has placed severe strain not only on the relationships between Australian citizens and communities, but also on our civic spaces and modes of communication: from protests on streets and demonstrations on university campuses, to social media posts and opinion pieces. Given that writers’ festivals intersect with each of these social spheres, it is unsurprising that they should prove so susceptible to the fault lines that run through multicultural democracies.Leaving the wisdom or effectiveness of “codes of conduct” aside, it is worth considering whether there are constraints inherent to public debate in a democracy — which is to say, forms of self-limitation and fundamental commitments that ensure the cacophony of conflicting opinions does not descend into a zero-sum contest.
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In a world marked by wicked social problems, The Minefield helps you negotiate the ethical dilemmas, contradictory claims and unacknowledged complicities of modern life.
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