STAGES with Peter Eyers

John O’Connell is an internationally acclaimed choreographer best known for his work on a string of cinema box office hits: Moulin Rouge, Strictly Ballroom, Enchanted, Shall We Dance, and Baz Luhrmann’s Oscar-winning The Great Gatsby.
As “choreographer to the stars”, John has worked with some of the biggest names in Hollywood, including Leonardo Di Caprio, Nicole Kidman, Richard Gere, Jennifer Lopez, Michael Caine, Susan Sarandon, Amy Adams, and John Travolta. In 2008, John choreographed the 80th Academy Awards (the Oscars) in Los Angeles. He is the recipient of the highest American award in film, the American Choreography Award, for his choreography of Moulin Rouge.
In Australia, John has worked with just about every theatre and production company during his renowned career, winning many awards along the way: Strictly Ballroom and King Kong for Global Creatures; Tales from the Vienna Woods and Convict’s Opera for Sydney Theatre Company; Threepenny Opera and Keating! for Belvoir Street Theatre; A Midsummer Night’s Dream for Opera Australia; South Pacific for the Gordon Frost Organisation; and Six Lessons in Six Weeks for the Ensemble Theatre. John was also staging director for the international tour of Il Divo in 2007.
John also wrote, produced, and starred in his own comedy stage show Mr Cha Cha Says Dance!, which had successful seasons as part of the Melbourne Comedy Festival and Perth International Arts Festival.
The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).

Korean-Australian soprano Gemma Nha is recently completed her tenure with Lyric Opera of Chicago’s Patrick G. and Shirley W. Ryan Opera Center. She made her house debut this past season as the Page in Rigoletto, reprised Barbarina, and sang the role of Jess and covered Ashley in Missy Mazzoli’s The Listeners. Gemma has a Master of Music in Vocal Arts from The Juilliard School where she studied with Darrell Babidge as a Toulmin Scholar and Kovner Fellow, and a Bachelor of Arts Gesang (Honours) from the University of Music and Performing Arts Vienna where she was under the tutelage of Peter Edelmann.
In a continuing relationship, Gemma joins the Volksoper Wien in the 25/26 season as a soloist in their ensemble, debuting Maria West Side Story, Pamina Die Zauberflöte, Adele Die Fledermaus, Susanna Le nozze di Figaro, and Wendla Spring Awakening. The summer leading up to this, Gemma will perform with Orchestra of St. Luke’s at Carnegie Hall in their Bach Festival under the baton of Maestro Lionel Meunier. She will then be a Filene Artist at Wolf Trap Opera, singing Soeur Constance in Poulenc’s Dialogues des Carmélites.
In the 23/24 season, Gemma made two role debuts as Ruth Baldwin in John Musto and Mark Campbell’s Later the Same Evening, and Flerida in Cavalli’s Erismena, both with Juilliard Opera. She also debuted with the Albany Symphony at the Troy Saving Banks Music Hall, at Carnegie Hall as a prize winner of the Gerda Lissner Foundation Lieder/Song Competition, and with Grant Park Music Festival in Mahler’s Symphony 8, celebrating the end of Maestro Carlos Kalmar’s tenure as Artistic Director and Principal Conductor of the festival. Gemma became a National Semifinalist of the Laffont Metropolitan Opera Competition representing the New England Region, and became the first female singer to win First Prize at the 18th Seoul International Music Competition.
In 2023, Gemma was the Liederkranz Foundation Second Prize winner of the Gerda Lissner Foundation Lieder/Song Competition and awarded an Encouragement Award at the Gerda Lissner Foundation International Vocal Competition. She has also seen previous success in the Joan Sutherland & Richard Bonynge Foundation Bel Canto Award, Esther and Myron Wilson Cedar Rapids Voice Competition, the Marcella Sembrich International Voice Competition and The Sydney Eisteddfod, placing first in French Song, Lieder, and Art Song (16-20), as well as Musical Theatre Vocal Duets and Song from a Musical/Musical Theatre (18 & over). Gemma was a 2025 and 2020 finalist of the Lotte Lenya Competition and contributed to the Lotte Lenya Competition Songbook.
In previous seasons, Gemma made her house and role debut as Barbarina Le nozze di Figaro at the Volksoper Wien, sang La Conversa I and covered Lauretta in Juilliard Opera’s double bill Suor Angelica and Gianni Schicchi, and was an Apprentice Singer at the Santa Fe Opera. Other operatic credits include: Zerlina Don Giovanni and Esmeralda Die verkaufte Braut in the Schlosstheater Schönbrunn for the University of Music and Performing Arts Vienna (mdw); and Gretel Hänsel und Gretel with PlusOpera. In concert, Gemma performed in Händel’s Dixit Dominus at the Sydney Conservatorium of Music and Messiah with the Fiori Musicali Chamber Choir as well as the Tagkhanic Chorale under the baton of Maestro Jason Tramm. She has also worked in masterclass settings with conductor Speranza Scappucci, Dame Jane Glover, Roger Vignoles, Helmut Deutsch, Julius Drake, Keval Shah, Renee Fleming, and Lisette Oropesa.
This month Gemma will be making her role, company and house debut as Gilda in Rigoletto with Opera Australia at the Sydney Opera House.
The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).

Helen Dallimore is an actor, singer, director and writer who has enjoyed a successful career in theatre, musical theatre, film and television both in Australia and in the UK.
Her most celebrated stage performances include Wicked (London’s West End), Girl From The North Country (Tour), End of the Rainbow (STCSA), Blood Brothers (Enda Markey Presents) and Legally Blonde (Ambassador/GFO), for which she won the Helpmann Award for Best Supporting Actress.
Other stage credits include The Wharf Revue, Muriel’s Wedding the Musical, Spring Awakening (STC), The Plant, Cruise Control (Ensemble Theatre), Tartuffe (Bell Shakespeare), Masquerade (Griffin Theatre) and Into the Woods (Regent’s Park, London).
Her television credits include Here Come the Habibs, Hardball, True Story with Hamish and Andy, Midsomer Murders, Little Oberon, A Moody Christmas, The Moodys, Wonderland, Home & Away, Chandon Pictures, Laid and House Husbands. Film credits include Two Heads Creek, Mr Accident, Russian Doll, Tempe Tip, The Sugar Factory and Mother’s Milk.
As a director, Helen’s credits include High Society, The Fantasticks, Everybody Loves Lucy (Hayes Theatre) and A Life in the Theatre (Darlinghurst Theatre). As a screenwriter, her credits include episodes of Channel Nine’s Here Come the Habibs and ABC comedy Sando.
Helen is also the author of the Melody Moss books.
She soon takes to the stage again playing the ‘Edies’ in Grey Gardens, presented by Closely Fox and fortyfivedownstairs in Melbourne from July 17th to August 2nd.
The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).

Acclaimed Australian pianist/composer and singer/songwriter Monique diMattina has recorded and performed extensively since the early 2000’s, working in various genres and settings. 
Monique has released three solo piano albums in filmic and neo-classical styles, and three jazz/pop albums as singer/songwriter, including the critically acclaimed ‘Nola’s Ark’, recorded in New Orleans with producer Mark Bingham (R.E.M. Cassandra Wilson), Leroy Jones, Matt Perrine and June Yamagishi. 
Monique has composed music for various film and stage projects, and is known for her ABC and Triple R radio segment ‘Shaken Not Rehearsed’, in which she wrote and performed songs within an hour, to listener requests. In her energetic live performances Monique’s larrikin lyrics are at the fore, supported by her authoritative and soulful pianism. Monique has toured her shows The Dao of Dylan and An Affair to Dismember to critical acclaim. 
A Fulbright Scholar, Honorary Fellow of the University of Melbourne and PhD Candidate at the University of Tasmania, Monique teaches in the Melbourne Conservatorium of Music and Monash University Jazz departments, and is in demand as an artist-in-residence and clinician. 
In 2000 diMattina received Fulbright and Queens Trust awards to study music in NYC. While in NYC on and off over ten years, Monique wrote her Masters’ thesis on jazz pianist Wynton Kelly, waited tables at the Village Vanguard Jazz Club, studied with Sophia Rosoff, Fred Hersch, Sam Yahel and Barry Harris, played regularly at singer/songwriter haunts The Living Room, Rockwood Music Hall and Joe's Pub, performed recitals for dignitaries including Kofi Annan, Bill Clinton and Vaclav Havel, worked for Bjork, opened for Lou Reed, taught at the Henry Street Music School and ran the New York marathon. 
After witnessing the 9/11 attacks in NYC Monique wrote a series of solo piano works that were to become her first solo piano release - Senses. At this time Monique also recorded her first album Live at the 55 at the iconic 55 Bar in Greenwich Village - an instrumental collection of covers and originals in a blues/roots vein. 
In between periods in NYC, diMattina travelled extensively, spending time in Europe, Japan, China and Sydney as principal pianist for The Lion King Orchestra. Between 2009 and 2016 Monique released five albums on the Head Records label. 
She was recently Musical Director of ‘Tapestry: The Songs of Carol King’ with Vika Bull and Debra Byrne. In addition to presenting her own shows, Monique performs in duo with Rebecca Barnard, with Harry James Angus (The Cat Empire), Alma Zygier and Clare Bowditch. 
Monique’s newest musical accomplishment is the world premiere of STELLA: A New Australian Musical which celebrates Stella Miles Franklin’s own dramatic story. This new addition to the Australian musical cannon debuts at Monash University’s Alexander Theatre in Melbourne for a strictly limited season from 12–20 June.
The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).

Faith Martin is an Australian casting director for film and television, recognised for her pivotal role in identifying and launching Australian and International talent into global careers. With extensive experience across Australia, the United States, the United Kingdom, New Zealand, and Europe, she has built a reputation for instinct-driven casting on high-profile television series and feature films with worldwide reach. 
Faith began her career casting television commercials, helping establish the casting department at Lintas Advertising, (TVCS), before founding Martin Artists, a successful talent agency representing actors, writers, and directors. Over twelve years, she built the agency into a thriving business representing many of Australia’s most respected creatives, including Geoffrey Rush, Mel Gibson, Wendy Hughes, John Meillon, Sam Neill, writer Geoffrey Atherden and director George Whaley. This foundation continues to inform her sharp understanding of talent development, career trajectory, and international market positioning. 
Her early Australian television credits include Return to Eden, Bad Cop, Bad Cop, Above the Law, Going Home, The Battlers, Two Twisted, Blue Heelers, Water Rats, Stingers, Murder Call, Sea Patrol, and the internationally distributed, award-winning children’s series Mortified, which launched the career of Marny Kennedy. 
Faith also cast the international HBO miniseries A Dangerous Life, produced by Hal McElroy in the Philippines, and the ABC drama Rain Shadow, directed by George Ogilvie and starring Rachel Ward. 
Internationally, Faith played a defining role in casting the first season of Spartacus for Starz, produced by Rob Tapert. She championed Andy Whitfield in the title role — despite initial U.S. resistance to an Australian lead — famously declaring, “I’ve found your Spartacus.” The series also marked Jai Courtney’s first professional acting role. She later contributed to the expanding Spartacus universe, including Spartacus: House of Ashur. 
Her U.S. and international television work includes Ash vs Evil Dead (produced by Rob Tapert), Legend of the Seeker (ABC Network), Banshee (casting lead Antony Starr), Rectify (starring Aden Young), and Outlander (casting David Berry). 
Her feature film credits span both independent and studio productions. Early career highlights include Strictly Ballroom (dir. Baz Luhrmann), The Crossing (dir. George Ogilvie — the first feature film for Russell Crowe), The Sum of Us (starring Russell Crowe and John Polson), Paperback Hero (starring Hugh Jackman), Dead Heart (produced by Bryan Brown), and Alexandra’s Project (dir. Rolf de Heer). 
Her later feature work includes: The Junction Boys, which helped launch Ryan Kwanten’s international career; Invincible (dir. Jefery Levy for Icon Productions); Lapis Lazuli (20th Century Fox), introducing Clarence Ryan; Satellite Boy (dir. Catriona McKenzie); The King Is Dead (dir. Rolf de Heer); Cactus; Better Watch Out; Infini; Gabriel (starring Andy Whitfield); The Osiris Child (dir. Shane Abbess); Diabolic produced out of Adelaide in 2024, Rising Wolf; and Companion (formerly titled Sahela), a project she considers especially significant for its storytelling and ensemble. 
Faith continues to work on bold, character-driven film and television projects with international scope, maintaining her longstanding commitment to connecting exceptional Australian talent with global audiences. 
The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).