The Third Story with Leo Sidran

Duncan Sheik's career did not follow a straight line. After studying semiotics at Brown University, he emerged in the mid 1990s as a pop singer songwriter with his hit "Barely Breathing", and quickly revealed himself to bend toward more literate adult oriented rock. He continued to make records and land himself on the charts but also began exploring composition for film and theater.

The success of 2006's Spring Awakening, a hit rock musical that featured Sheik's score (and which won the Tony for Best Original Score as well as a Grammy for Best Musical Show Album) planted him firmly in the world of Broadway. He continued to write for theater, often collaborating with poet and playwright Steven Sater.

Over more than three decades he explored electronic music, folk music, and enjoyed covering songs by his favorite writers, many of whom were influential to him as a boy.

In this interview, recorded in late 2020, he talked about his career, his songwriting, technology in music, how meditating and chanting have helped him throughout the years, how becoming a father influenced his work, his life in Covid and what it means to release music in strange and trying times, and what exactly Semiotics is anyway.

Duncan Sheik died on September 17, 2026. This conversation is a reminder of the breadth of his curiosity and the thoughtfulness with which he approached both music and life. It offers a rare glimpse into the mind of a singular artist whose creative journey was never quite what anyone might have expected.
https://www.third-story.com/listen/duncansheik
www.leosidran.substack.com

Sullivan Fortner is one of the most admired and influential pianists of his generation, a musician whose curiosity stretches from the traditions of jazz and gospel to synthesizers, studio experimentation and beyond.
Here Sullivan talks about growing up in New Orleans, learning to play organ in church, nearly choosing medicine over music, and the teachers and mentors who shaped his path. He reflects on studying with Barry Harris, playing with Roy Hargrove and Stefon Harris, the importance of continuing to learn no matter how far you get, and his lifelong fascination with sound.
He also talks about his relationship with Cécile McLorin Salvant, as a musical collaborator and partner in life, and how their connection has changed the way he thinks about accompaniment, lyrics, listening and space. Along the way, Sullivan discusses synesthesia, literally tasting music, making Solo Game and Leave That In There, and what it means to remain open to discovery while staying deeply connected to tradition.
A conversation about listening, learning, collaboration, curiosity, and following the music wherever it leads.
www.third-story.com
www.leosidran.substack.com
www.wbgo.org/podcast/the-third-story

Argentine singer, composer and producer Sofía Rei talks about leaving Buenos Aires and rediscovering the music of home, moving beyond the boundaries of jazz, embracing electronics and production, and learning from collaborators and students. Her new album, Antónima, brings those threads together through what she calls "Folk and Futurism" a meeting place for tradition, technology and a distinctly contemporary musical identity.
www.third-story.com
www.leosidran.substack.com
www.wbgo.org/podcast/the-third-story

Forty years ago this month, Paul Simon released Graceland, an album that became one of the defining records of his career, and one of the most celebrated and debated albums of its era.
The record would go on to sell millions of copies and win the Grammy for Album of the Year. It would also generate enormous controversy over Simon's decision to record in apartheid South Africa during a cultural boycott.
Music historian Ashley Kahn tells the whole complicated story in his new book, Days of Miracle and Wonder: Paul Simon and the Trials and Triumphs of Graceland.
Here Ashley talks about his career, the making of Graceland, Paul Simon's unusual creative process, and the complicated cultural and political questions that have followed the album for forty years.
www.third-story.com
https://www.wbgo.org/podcast/art-of-the-story/2026-08-19/ashley-kahn-on-the-miracles-and-wonder-of-paul-simons-graceland
https://leosidran.substack.com/

For his 83rd birthday, Ben Sidran revisits a 1974 DownBeat profile (done when he was 30) and considers what has changed - and what hasn't - over more than half a century of music and life. In his annual birthday conversation with Leo, he reflects on aging, ambition, practice and the surprising persistence of a worldview formed long ago.
www.third-story.com
www.leosidran.substack.com
www.wbgo.org/podcast/the-third-story
https://youtu.be/SZY4QRpJCTw