Fresh Air

The second season of Lee Sung Jin’s Netflix series ‘BEEF’ earned 16 Emmy nominations. Set at an exclusive country club, it stars Oscar Isaac and Carey Mulligan in a story about class struggles and generational differences. The storylines of both seasons were inspired by real events in Lee's life. Before ‘BEEF,’ he spent two decades in comedy writers' rooms, often feeling alienated as the only Asian person on staff. “That's what people first thought of me when I first started – I was the diversity hire." He spoke with Tonya Mosley about the years he spent masking to fit in, and the breaking point that changed how he writes. 

TV critic David Bianculli reviews the new Apple TV series ‘Lucky.’ 

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Botox, fillers, facelifts: Plastic surgery is becoming so normalized and undetectable, it's changing our relationship to reality. ‘New Yorker’ staff writer Jia Tolentino considers how beauty standards have dovetailed with AI. 

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At the age of 80, Broadway legend André De Shields now starring in "CATS: The Jellicle Ball." He won a Tony in 2019 for his performance in "Hadestown," and co-stars in the new film of last year’s London revival. He made his Broadway debut in the title role of the 1975 original production of "The Wiz."

De Shields describes himself as Afro Queer, a longtime HIV survivor, and unreformed hippie, who grew up in inner city Baltimore. He’s always gone his own way in how he thinks, speaks, dresses and moves. "I don’t rush anywhere. I walk slowly. My reputation is that Andre DeShields doesn’t walk, he floats." He spoke with Terry Gross.

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In 1981, members of radical offshoots of the Weather Underground and the Black Panthers robbed a Brinks truck carrying over $1.5 million. It ended in a shootout, killing two police officers and a security guard. Judith Clark was driving a getaway car. She was sentenced to a minimum of 75 years. Her 11-month-old daughter was left to be raised by Judith’s collective and later by Judith’s parents. Terry Gross talks with her daughter, Harriet Clark, whose new acclaimed novel is drawn from childhood experiences visiting her mother in prison. “I think she figured out how to mother me in some of the most difficult conditions possible,” she says.  

Also, Ken Tucker reviews two albums that draw on rock's past: The Dirty Knobs’ ‘Mission of Mercy’ and Low Cut Connie's ‘Livin in the USA.’

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Rashida Jones and Will McCormack are the screenwriting duo behind ‘The Invite.’ It takes on the realities of marriage in middle age, told over the course of one dinner party that spirals out of control. They’ve been mining stories like this together for decades, finding the funny inside the painful. “We are never above a laugh. There's nothing that's grave enough for us not to laugh about, because that's how we release. That's how we process our pain,” Jones tells Tonya Mosley. 

Also, Lenny Kaye, Patti Smith’s longtime guitarist, has his first solo album at age 79. It’s called ‘Goin’ Local.’ He spoke with Terry Gross about his decades-long collaboration with Smith and evolving with age and experience. 

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