New Books in Science, Technology, and Society

Around 2016, buoyed by so-called data kranti  ("data revolution"), an aspirational neo-middle class of users in India accessed internet for the first time on their mobile phones. Unlimited: Aspirational Politics and Mobile Media Distribution (MIT Press, 2026) tells the story of digital infrastructures that are being created by state-corporations for content and money to move and reach such users. It interrogates how their design impact the forms of inclusions and exclusions enacted as well as the horizon of social behaviors and expectations in "Digital India." The book contends that to
understand the possibilities and limits of India's aspirational
politics, media studies scholars should attend to infrastructures of
aspiration: the distributional logistics of streaming content and mobile money are the infrastructural backbone that recalibrate thresholds of
aspirational goals. 

Digital content media distribution is also shaped by how user
practices get entangled with particular affordances of platforms, and
hence the need to study both participatory cultures of circulation and
logistics
of distribution together. Drawing on in-depth interviews, ethnographic
fieldwork, critical discourse analysis and participant observation, the
book traces the supply chains of content delivery networks enabling
streaming video-on-demand services and informal ways of circulating "vernacular" music videos through memory cards. Unlimited does not restrict itself to formal media infrastructures, but also researches online phishing and lending scam assemblages to understand how such scams perform critical boundary work to reveal the cracks in and workings of financial distribution networks. This book offers a systematic examination of distribution considerations—including localization strategies—required for imagining mobile phone users across the varied regional geographies of "Digital India."

Rahul Mukherjee is Associate Professor of TV & New Media and graduate
chair in the Department of Cinema & Media Studies at University of
Pennsylvania. His teaching and research focus on the logistical and environmental dimensions of digital infrastructures and platforms. Rahul is the author of the monograph Radiant Infrastructures, and his work has been published in Critical Inquiry, SM+S, New Media & Society, and Science, Technology & Human Values. He has co-edited a special issue on "Media Power in Digital Asia" for Media, Culture & Society journal.  

Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body, and her work has been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at the New Books Network and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website and you can follow her on X.
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In the world's top research labs and universities, the race is on to invent the ultimate learning algorithm: one capable of discovering any knowledge from data, and doing anything we want, before we even ask. In The Master Algorithm: How the Quest for the Ultimate Learning Machine Will Remake Our World (Basic Books, 2018), Pedro Domingos lifts the veil to give us a peek inside the learning machines that power Google, Amazon, and your smartphone. He assembles a blueprint for the future universal learner--the Master Algorithm--and discusses what it will mean for business, science, and society. If data-ism is today's philosophy, this book is its bible.

Pedro Domingos is a professor emeritus of computer science at the
University of Washington. He is a winner of the SIGKDD Innovation Award, the highest honor in data science. A fellow of the Association for the Advancement of Artificial Intelligence, he lives near Seattle.

Gregory McNiff is a Managing Director in the New York office of the
Blueshirt Group, an IR firm focused on technology; he has a strong interest in literature, culture, religion, science and philosophy (translation: he's an eclectic reader who is constantly missing deadlines for book review).
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Today, rats are nearly synonymous with plague, but this association is surprisingly recent. For centuries, plague devastated populations without being linked to animals. So how did the rat become the symbol of one of history's deadliest diseases? In How Plague Got Rats: Mastering a Zoonotic Pandemic (Johns Hopkins University Press, 2026), Professor Christos Lynteris unravels this story by focusing on the Third Plague Pandemic, a global outbreak that began in China in the 1850s and claimed an estimated 15 million lives by the mid-twentieth century.

This was the first major pandemic recognized by scientists as
zoonotic—spread from animals to humans—and it marked a turning point in both medical science and global health. Through a gripping historical investigation, Professor Lynteris explores how rats entered the medical imagination of the time. He reveals how scientific thinking about disease vectors evolved in tandem with colonial power structures as plague responses unfolded across Asia, Africa, and the Americas. From laboratory discoveries to imperial
interventions, the rat became central not just to understanding plague, but to shaping new forms of epidemiological reasoning.

This provocative book shows how zoonosis emerged as a politically charged concept in the context of empire and pandemic crisis. It is a powerful history of how science, society, and colonialism converged around a creature now inseparable from the story of epidemic disease.

This interview was conducted by Dr. Miranda Melcher whose book
focuses on post-conflict military integration, understanding treaty
negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Copyright, Contract, and Video Games: Terms of Play (Hart Publishing, 2026) uncovers how video game contracts act as monologues of power, moulding players to align with proprietary ideologies.

In the era of interactive technologies, the player emerges as a vital yet curiously overlooked figure. While copyright law governs the creation and distribution of these technologies, it sidesteps the player, leaving private contracts to define their role and obligations. Using video games as a case study, this book fills the gap left by copyright law, offering an innovative socio-legal methodology to interrogate and challenge harmful contractual norms.

By analysing contracts as a form of critical discourse, the book exposes the contradictions and idealisations embedded in these agreements, which often serve to reinforce industry priorities. It is an essential resource for scholars in intellectual property law, video game studies, and socio-legal research, contributing to pressing debates on user rights and the shifting balance of power in interactive industries.

With its fresh perspective on the interplay of copyright, contract, and cultural participation, the book redefines the player's role in a rapidly evolving digital landscape, offering new tools to understand and critique the legal frameworks shaping this most interactive of industries.

Amy Thomas is Lecturer in Intellectual Property and Information Law at the University of Glasgow, UK.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section and is editor of the weekly game research newsletter Game Studies Watchlist.
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How is the tool of Artificial Intelligence shaping the writing of fiction? Is AI emerging as more than just a potentially handy aid to an author—and, ominously, more like an actual author? I discuss these ripe questions and others with the literary critic Mark McGurl, professor of English at Stanford. He is the author of The Program Era: Postwar Fiction and the Rise of Creative Writing (Harvard University Press, 2009) and Everything and Less: The Novel in the Age of Amazon (Verso, 2021). As our conversation shows, McGurl is a nuanced, reasoned voice on an emotive subject that all too readily lends itself to apocalyptic or pollyannaish pronouncements.

Mark McGurl is a Professor of English at Stanford University.

Veteran journalist Paul Starobin is a former Moscow bureau chief for Business Week and a former contributing editor of The Atlantic. His companion Substack newsletter, America and Beyond,” offers commentary and insights on the podcast. He has written for The New York Times, The Washington Post, The Wall Street Journal and many other publications. His most recent book is Putin’s Exiles: Their Fight for a Better Russia (Columbia Global Reports, 2024).
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