60. James Baillieu on a changing landscape for young artists and art song as a wellness experience
59. Polly Graham on an eccentric approach to opera and the importance of music-making opportunities from the ground up
58. Steve Long on lasting artistic partnerships, surviving major changes in the audio market, and how *not* to pitch a recording project
57. Helen Charlston on her evolving relationship with Schumann’s Dichterliebe, exploring other sides of her artistic identity, and the precarious nature of singing careers
56. Isata Kanneh-Mason on on recording Prokofiev, representation in the industry, and rediscovering her musical voice



The Classical Circuit