The Documentary Podcast

• Heart and Soul: The race to break the glass

  Amie Liebowitz interviews matchmaker and dating coach Aleeza Ben Shalom from the Netflix show Jewish Matchmaker. She then goes on her own quest to learn about the traditional and religious values of matchmaking. From a mass dating event to going through her own matchmaking experience, Amie asks herself the question: Is she being open enough to exploring new connections and can tradition save her love life in this modern world?

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• Boxing Sisters: Yazidi women boxing back to health

  In Northern Iraq, Yazidi women and girls who have been the victims of brutal sexual enslavement and lost swathes of their family and community to genocide at the hands of IS, are finding an unusual way to heal - boxing. Since 2014, when ISIS began targeting Yazidis because of their religious identity, those who survived the genocide have been confined to internally displaced persons camps in the Kurdish region of Iraq. Here conditions are difficult and the women and girls still struggle to process all that has happened to them. So, in 2018, in the face of limited mental health support, Taban Shoresh and her team took a radical approach by offering boxing training to help the women and girls channel their emotions and anger.

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• What in the World: How have older reality tv shows aged?

  America’s Next Top Model, the reality competition series hosted by Tyra Banks, continues to face criticism years after it stopped airing. And it is not the only reality show that critics say has not aged well. From Cops to The Swan to Mr Beast’s new show Beast Games, reality TV routinely courts controversy. We all know reality shows like The Traitors, Keeping Up with the Kardashians, The Real Housewives and Love Island. But how did the genre become so popular in the first place? We hear from Danielle Lindemann, a sociologist at Lehigh University and the author of True Story: What Reality TV Says About Us. She explains how shows like The Real World and Survivor helped define the genre and unpacks some of the biggest scandals from reality TV history.

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• Assignment: Russia’s new war elite

  Russians who sign up to fight in Ukraine earn big money in salaries and bonuses – and the Kremlin is even more generous to families of those killed in battle. Average compensation packages for a dead son or husband are worth about US$130,000. In less-wealthy Russian provinces, where most recruits are from, that’s enough to turn your life around. Reporter Arsenii Sokolov finds out how the relatives of the tens of thousands of men Russia has lost in the war are spending the money – and asks whether the pay-outs will help create a new “patriotic” middle class that supports Vladimir Putin.He talks to a woman who’s used her “coffin money” to open a restaurant in memory of her dead son – and hears about a craze for ultra-expensive hair-dryers among wives and girlfriends of soldiers from Siberia.Marrying soldiers has become so attractive that women on dating apps often search specifically for men in uniform.But the compensation payouts are also fuelling furious court battles, when divorced or separated fathers who’ve played little role in child rearing suddenly reappear after their sons’ deaths and demand their share of the coffin money. Besides the cash, there are many privileges offered to soldiers and their families, and to bereaved relatives of the fallen. Their children can go to university whatever their grades. And the Kremlin has started a programme called “Time of Heroes” that claims it will fast-track selected returning servicemen into elite positions in local politics and business. But can Putin’s attempt at social engineering really work? And will “deathonomics” – as one economist calls it – really boost the economy of the provinces that have suffered most from the huge death toll?

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• TikTok and the digital pimps: Eye Investigates

  With its dancing challenges and comedy sketches, it’s no surprise why Tiktok is popular with young Kenyans. It’s also a way for them to make money through the app’s gifting service. But there’s a darker side, where young women – and girls as young as 15 – are selling sexual content on livestreams, with some being recruited and exploited by “digital pimps”. Africa Eye’s Debula Kemoli investigates who is profiting. A spokesperson for Tiktok said in a statement that they have zero tolerance for exploitation. And they enforce strict safety policies, including robust live content rules and moderation in 70 languages, including Swahili. Producers: Nalini Sivathasan and Patrick Clahane Editors: Pete Murimi and Rebecca Henschke Sound engineer: Neil Churchill

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