New Books in Communications

How did a vast, nationwide institution like a modern postal system
come into being in Qing China—right at the very end of the empire?

In The Making of China’s Post Office: Sovereignty, Modernization, and the Connection of a Nation (Harvard University Press, 2024), Weipin Tsai
takes up this question by tracing the origins and early development of
China’s postal system. The book asks not only how such an institution
was built, but why it emerged when it did and in the particular form it
took. In doing so, Tsai situates the post office within the Qing’s
broader efforts to modernize, showing how its development intersected
with political maneuvering, imperial pressures, and changing ideas about
the nature of the state.

The Making of China’s Post Office examines both the
high-level decisions and the ground-level operations that shaped the
system’s creation and expansion. Tsai pays particular attention to the
economic and social pressures that drove its growth, as well as the
everyday work of postal employees, including the nitty-gritty of routes,
logistics, and administration. This dual focus allows Tsai to show how
the circulation of mail depended on the interplay between central
ambitions and local realities, while also uncovering the work that
happened at the local level.

Tsai’s book offers a new perspective on China’s encounters with
imperialism, efforts at centralization, and changing conceptions of
governance. In following the routes and emerging and routines of the
post, The Making of China’s Post Office delivers a rich account
of how a modern communications network took shape. This book will be of
interest to readers of modern Chinese history, as well as those working
on global histories of infrastructure, communication, and the state.
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Around 2016, buoyed by so-called data kranti  ("data revolution"), an aspirational neo-middle class of users in India accessed internet for the first time on their mobile phones. Unlimited: Aspirational Politics and Mobile Media Distribution (MIT Press, 2026) tells the story of digital infrastructures that are being created by state-corporations for content and money to move and reach such users. It interrogates how their design impact the forms of inclusions and exclusions enacted as well as the horizon of social behaviors and expectations in "Digital India." The book contends that to
understand the possibilities and limits of India's aspirational
politics, media studies scholars should attend to infrastructures of
aspiration: the distributional logistics of streaming content and mobile money are the infrastructural backbone that recalibrate thresholds of
aspirational goals. 

Digital content media distribution is also shaped by how user
practices get entangled with particular affordances of platforms, and
hence the need to study both participatory cultures of circulation and
logistics
of distribution together. Drawing on in-depth interviews, ethnographic
fieldwork, critical discourse analysis and participant observation, the
book traces the supply chains of content delivery networks enabling
streaming video-on-demand services and informal ways of circulating "vernacular" music videos through memory cards. Unlimited does not restrict itself to formal media infrastructures, but also researches online phishing and lending scam assemblages to understand how such scams perform critical boundary work to reveal the cracks in and workings of financial distribution networks. This book offers a systematic examination of distribution considerations—including localization strategies—required for imagining mobile phone users across the varied regional geographies of "Digital India."

Rahul Mukherjee is Associate Professor of TV & New Media and graduate
chair in the Department of Cinema & Media Studies at University of
Pennsylvania. His teaching and research focus on the logistical and environmental dimensions of digital infrastructures and platforms. Rahul is the author of the monograph Radiant Infrastructures, and his work has been published in Critical Inquiry, SM+S, New Media & Society, and Science, Technology & Human Values. He has co-edited a special issue on "Media Power in Digital Asia" for Media, Culture & Society journal.  

Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body, and her work has been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at the New Books Network and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website and you can follow her on X.
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Is food porn a vibrant and democratic new expression of modern food culture or a superficial addition to an image-saturated world? Tracing its origins from the 1970s to today, this timely book examines the evolution of food porn as a desire-inducing aesthetic practice and a visually extravagant food spectacle.

Through discussions on class, gender, sexuality and national identities, Food Porn: Food Aesthetics in a Digital Age (Bristol University Press, 2026) by Dr. Jonatan Leer & Dr. Stinne Gunder Strøm Krogager questions whether food porn reinforces social hierarchies or empowers individuals. Also exploring anti-food porn aesthetics, this book is essential reading for anyone seeking to understand the deeper social implications of food’s digital allure.

This interview was conducted by Dr. Miranda Melcher whose book
focuses on post-conflict military integration, understanding treaty
negotiation and implementation in civil war contexts, with qualitative
analysis of the Angolan and Mozambican civil wars. You can find
Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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How Western media shapes public understanding of Gaza, Palestine, and conflict through language, political narratives, and global power structures.

In this Nordic Asia Podcast episode, Khaled Ezzelarab, Director of the Middle East Institute Program at the American University in Cairo and a former journalist, discusses how Western media narratives shape public understanding of the Gaza war and the broader Israeli–Palestinian conflict. He argues that mainstream Western outlets such as the BBC, CNN, and The New York Times have gradually changed their coverage over time, although dominant narratives still frame the conflict primarily as a cycle of “mutual violence” rather than addressing the deeper realities of occupation and structural inequality faced by Palestinians.

Ezzelarab explains that media language plays a crucial role in shaping public perception. Terms such as “genocide,” despite being used by international experts and human rights organisations, are often avoided by major Western media outlets. At the same time, emotionally charged language is more frequently used when describing Israeli suffering than Palestinian suffering. According to Ezzelarab, these editorial choices significantly influence how audiences interpret violence and responsibility in the conflict.

The discussion also explores the relationship between journalism, audience expectations, and political power. Media organisations tend to follow dominant political narratives, especially in foreign affairs, while also responding to pressure from audiences and social movements. Ezzelarab notes that pro-Palestinian activism, especially among younger generations and on social media platforms such as TikTok, has increasingly challenged traditional media framing and forced mainstream outlets to adapt.

Finally, the episode highlights how global power structures shape media attention and representation, not only in Gaza but also in conflicts such as Sudan and Iraq. Ezzelarab concludes that younger generations of journalists and audiences may gradually reshape media narratives through more diverse perspectives and alternative digital platforms.

Elo Süld, Head of the University of Tartu Asia Centre and Associate Professor of Islamic Studies She is one of the leading scholars of Islam in Estonia, focusing on Islam and Islamic pluralism, and more broadly on the Middle East within the wider Asian context.

Khaled Ezzelarab, Director of the Middle East Studies Program at the American University in Cairo (AUC) and Associate Professor of Practice in Journalism and Mass Communication. He has spent seventeen years as a journalist with international and pan-Arab media, including the BBC World Service, covering major regional events such as the Gaza wars, the Egyptian uprising, and the Syrian conflict. Ezzelarab presented his research at the University of Tartu Asia Centre annual Asia Update conference in April 2026. His session was titled “Beyond Bias: Structural and Cultural Determinants of Western Media Coverage of Gaza”.
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Narendra Modi, India’s prime minister, is known for his outfits. Since rising to become India’s head of government in 2014, photographers and journalists have long followed his clothing styles, each saying something about India. It’s part of a long tradition of using clothing to make a statement about India—and about defining a political brand. Nor is it unique to India–remember Obama’s tan suit, or now the MAGA red cap?

That observation is part of Shefalee Vasudev’s recent book Stories We Wear: Status, Spectacle and The Politics of Appearance (Westland Non-Fiction, 2025), where she dives into how clothing, appearance, politics and social change are intertwined, covering topics like streaming dramas, influencers, and “the airport look.”

Shefalee Vasudev is a journalist, cultural commentator, and narrative psychotherapist. The editor-in-chief of The Voice of Fashion for the last nine years and the founding editor of Marie Claire India, she has spent three decades working across news and lifestyle media. Her first non-fiction work, Powder Room: The Untold Story of Indian Fashion, was published in 2012.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Stories We Wear. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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