The Shakespeare and Company Interview

Why are we so obsessed with the apocalypse? Is it a reaction to the state of the world—climate catastrophe, regional wars threatening global conflict, pandemic scares, and the unsettling rise of AI—or does it run deeper? Is it inherent to the modern world or, perhaps, the human condition? And why are we so captivated by apocalyptic stories in books, films, TV shows, video games, and art—sometimes improbable, sometimes terrifyingly possible?Dorian Lynskey explores these questions in Everything Must Go. He starts in ancient times, with a detour through the Book of Revelation, before focusing on the 19th century, when humanity began to grasp that scientific advances could both transform and destroy the world. The 20th century brings the bomb, robots, and intelligent machines—the seeds of a potential end. Like the best non-fiction, Lynskey’s focus on a specific subject—armageddon—offers deeper insights into how we view ourselves, interact with others, and perceive our world.Buy Everything Must Go: https://www.shakespeareandcompany.com/books/everything-must-go-5*Dorian Lynskey writes about music, film, books and politics for publications including The Guardian, The Observer, the New Statesman, GQ, Billboard, Empire, and Mojo. His first book was 33 Revolutions Per Minute: A History of Protest Songs. A study of thirty-three pivotal songs with a political message, it was NME's Book of the Year and a 'Music Book of the Year' in The Daily Telegraph. His second book, The Ministry of Truth: A Biography of George Orwell's 1984, was longlisted for both the Baillie Gifford Prize and the Orwell Prize. He hosts the podcasts 'Origin Story' and 'Oh God, What Now?'.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

On the night of Friday, 13 November 2015, three suicide bombers blew themselves up outside the Stade de France during a football match between France and Germany, attended by President François Hollande. By 1am the next morning, 130 victims were dead, and 416 others were injured, many critically. Seven attackers were killed, and two more died in a shootout with police days later.In September 2021, nearly six years later, the trial of 20 men accused of involvement in the attacks began in a specially built courtroom near the Palais de Justice. Fourteen were present, six tried in absentia, and only one, Salah Abdeslam, had directly participated in the attacks. The others were involved in planning, logistics, or assisting the terrorists. With many defendants refusing to testify and the trial featuring mostly secondary figures, some doubted whether it would be meaningful. However, in V13, Emmanuel Carrère’s gripping account, it becomes clear that the trial was far from a failure. As he writes, it became "a unique experience of horror, pity, proximity and presence.” The book, based on Carrère's weekly dispatches for L’Obs, immerses readers in the trial, offering a vivid, firsthand perspective of this historic event.Buy V13: https://www.shakespeareandcompany.com/books/v13*Emmanuel Carrère, novelist, filmmaker, journalist, and biographer, is the award-winning internationally renowned author of The Adversary (a New York Times Notable Book), Lives Other Than My Own, My Life As A Russian Novel, Class Trip, Limonov and The Mustache.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Denis Hirson’s My Thirty Minute Bar Mitzvah can be read as many different books. It can be read as a new, deeply personal, take on a pivotal episode in the history of South Africa. It can be read as a tender reflection on the mind of the author as he teetered on the cusp of adulthood. It can be read as a portrait of one particular wing of the Jewish diaspora, at one very particular moment in time. And it can be read as an account of how trauma is passed from one generation to the next, but also how with every new generation we are offered the opportunity of recovery…if only we will grasp it.My Thirty Minute Bar Mitzvah focuses primarily on the life of the author in the early 1960s, when he was between the age of nine and thirteen, and when the politics of his homeland was in turmoil after the brutal Sharpeville Massacre, carried out by the apartheid regime. Indeed, it’s these very politics that are going to impose themselves in a real and immediate fashion on the author’s world, not only shattering his idea of family, of community, of home, but also setting his life on a course that will ultimately see him pitch up in Paris.Buy My Thirty Minute Bar Mitzvah: https://www.shakespeareandcompany.com/books/my-thirty-minute-bar-mitzvah*Denis Hirson has lived in France since 1975, yet has remained true to the title of one of his prose poems, ‘The long-distance South African’. Most of his nine books, both poetry and prose, are concerned with the memory of the apartheid years in South Africa. Two of his previous titles, The House Next Door to Africa and I Remember King Kong (the Boxer) were South African bestsellers. His most recent books are Ma langue au chat, sub-titled ‘tortures and delights of an English-speaker in Paris’, and a book of conversations with William Kentridge, Footnotes for the Panther.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In 2019, Anna, a psychoanalyst, is processing a recent miscarriage. Her husband, David, takes a job in London so she spends days obsessing over renovating the kitchen while befriending a younger woman called Clémentine who has moved into the building and is part of a radical feminist collective called les colleuses. Meanwhile, in 1972, Florence and Henry are redoing their kitchen. Florence is finishing her degree in psychology while hoping to get pregnant. But Henry isn’t sure he’s ready for fatherhood… Both sets of couples face the challenges of marriage, fidelity, and pregnancy. The characters and their ghosts bump into and weave around each other, not knowing that they once all inhabited the same space.A novel in the key of Éric Rohmer, Scaffolding is about the bonds we create with people, and the difficulty of ever fully severing them; about the ways that people we’ve known live on in us; and about the way that the homes we make hold communal memories of the people who’ve lived in them and the stories that have been told there.*Lauren Elkin is the author of several books, including Flâneuse: Women Walk the City, a Radio 4 Book of the Week, a New York Times Notable Book of 2017, and a finalist for the PEN/Diamonstein-Spielvogel award for the art of the essay. Her essays on art, literature, and culture have appeared in the London Review of Books, the New York Times, Granta, Harper's, Le Monde, Les Inrockuptibles, and Frieze, among others. She is also an award-winning translator, most recently of Simone de Beauvoir's previously unpublished novel The Inseparables. After twenty years in Paris, she now lives in London.Born in Philadelphia, Amanda Dennis studied modern languages at Princeton and Cambridge Universities before earning her PhD from the University of California, Berkeley and her MFA from the Iowa Writers’ Workshop, where she was awarded a Whited Fellowship in creative writing. An avid traveler, she has lived in six countries, including Thailand, where she spent a year as a Princeton in Asia fellow. She has written about literature for the Los Angeles Review of Books and Guernica, and she is assistant professor of comparative literature and creative writing at the American University of Paris, where she is researching the influence of 20th-century French philosophy on the work of Samuel Beckett. Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.