Matt Heath & Tyler Adams Afternoons

On the Matt Heath and Tyler Adams Afternoons Full Show Podcast for the 30th of April 2026 - a good conversation to start the show around Labour and their not releasing policy ahead of next month's Budget.
And the some solid chat with Matt and Tyler around trees after an Auckland man ended up in hot water after trimming two pohutukawa which were blocking his view.
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On the Matt Heath and Tyler Adams Afternoons Full Show Podcast for the 29th of April 2026, first up when a tradie can earn as much as a policy analyst, why do many still perceive university degrees as the gold standard?
Then the use of AI in real estate photography.
Get the Matt Heath and Tyler Adams Afternoons Podcast every weekday afternoon on iHeartRadio, or wherever you get your podcasts.
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On the Matt Heath and Tyler Adams Afternoons Full Show Podcast for the 28th of April 2026, as a parent is facing prosecution for failing to get their child to school, Matt & Tyler chat about how hard an issue it is to deal with.
Then, on to kleptomania and shoplifting.
And to wrap the day - what’s the fascination of the true crime podcast as a true crime podcast has been credited with helping crack a decades-old cold case in New Orleans.
Get the Matt Heath and Tyler Adams Afternoons Podcast every weekday afternoon on iHeartRadio, or wherever you get your podcasts.
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A true crime podcast has been credited with helping crack a decades-old cold case, leading to four men being charged over the killing of a teenage girl.
This case has prompted discussion and debate over the role of true crime podcasts - and why so many people seem to be fascinated with them.
NZ Herald crime and justice reporter Anna Leask joined the Afternoons team to discuss further.
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Kiwi film and television editor Bryan Shaw joined Matt and Tyler to chat about his experience working on Lee Cronin's The Mummy.
The film focuses on a journalist who's young daughter disappears into the desert, but eight years later returns.
"I worked really closely with (Cronin), he let me read the script over 2 years ago, Then 3 months before the shoot, I started doing storyboards with them, adding sound effects and music to them, then I went to Ireland and I was on set editing, which is really the best experience I've ever had," Shaw said.
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