How to Survive the End of the World

The sisters wrap up their Art as Solidarity season with some hopeful reflections. They discuss their creative processes and the season's highlights including the centrality of art in resistance movements in Minneapolis, partnerships and collaborations among artists and the role of art in processing grief, trauma, and hope. And then they plant seeds for next season.
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Since Autumn first met Leila Awadallah at her aikido dojo, she's wanted to have her on the show. We are blessed to learn Leila's story on our penultimate episode of our art as solidarity season!

Leila Awadallah (she/her) is a dancer, choreographer, and film wanderer based between Minneapolis, Mni Sota Makoce and Beirut, Lebanon. Her research in dance centers movement that activates relationships to land / place / peoples, rooted in the context of her own skin as a body and soul that holds indigenous Palestinian, Arab-American, SWANA, Sicilian and mixed Mediterranean worlds and ways. She is the Artistic Director and Founder of the Body Watani (body-as-homeland) dance project and practice in collaboration with Noelle Awadallah, Co-Artistic Director.
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The sisters are elated to dialogue with two revolutionary artists, Charlotte Brathwaite and Malick Welli. They share their love for art and one another and how their practices intersect with community, history, and transformation.
Charlotte is an award-winning artist, creative director, and theater director whose work moves across performance, spectacle, and immersive experience. Working across theater, opera, film, dance, installation, and site-specific performance, Brathwaite creates cross-disciplinary projects that bring narrative, sound, movement, and space into close relationship. Her genre-defying practice centers the histories, realities, and imagined futures of communities that have been historically excluded, engaging questions of power, race, social justice, and collective memory.
Malick is a Senegalese visual artist who lives and works in Dakar. His work lies at the intersection of fine art, photography and installation. His work has recently been shown at the National Museum of World Cultures in Leiden, Netherlands, and at the Chanel Fashion house’s 19M gallery. Welli is interested in religion, spirituality, power dynamics and how they shape visual culture. His work has been exhibited at 1-54 Contemporary African Art Fair (USA); Art X Lagos ( Nigeria) EXPO CHGO (USA); Cairo Biennial (Egypt); AKAA (Also Known As Africa, France), among others. His work is included in the permanent collection of the Chazen Museum of Art (USA). 
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The sisters are ecstatic for this long overdue convo with Báyò Akómoláfé, Chief Curator of The Emergence Network, a speaker, author, fugitive neo-materialist com-post-activist public intellectual and Yoruba poet.
Bayo's new book is Selah, about which adrienne writes, "Báyò Akómoláfé is a philosopher who is pushing us to think outside of every narrative we take for granted. In this text, he guides us to reconsider how we relate to the world—and to internalize the fact that earth and all of nature are alive, relating to us. Selah is an ancient Indigenous orientation, poured through Báyò’s trickster poetry to make for a fresh agitation.”
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Abigail and Shaun Bengson are a married composing and performing duo raising two children in NYC and Vermont. Abigail was previously on the show in 2023 during our Witch Season.
In this raucous and tender convo, The Bengsons trace the origins of their love and their most recent musical, My Joy is Heavy (watch an excerpt on Fallon!), which the New York Theatre Guide called "A MIND-BLOWING CELEBRATORY EXPLOSION" and 1-minute critic called "One of the most TRANSCENDENT EVENINGS OF THEATER you’ll see this year.”
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