Writing Excuses

In this episode, our hosts dive into what makes a strong beginning and why it matters so much to readers. They talk about openings as an act of hospitality, exploring how tone, control, and carefully chosen details help readers feel grounded and cared for from the first page. Using the metaphor of hosting a party, they unpack common mistakes like starting too early, overwhelming readers with detail, or failing to make a clear promise. The discussion also reassures writers that beginnings often change in revision—and that’s not just normal, it’s necessary.
Homework:
Create an artificial slush pile of beginnings. Read them cold and note which ones make you lean in and why.
ANNOUNCEMENTS: 
FEBRUARY 15th: Cruise Prices Increase 
The final WXR cruise sets sail for Alaska in September 2026—get your tickets now before prices increase on February 15th! 
Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.
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Today, our hosts dig into how stories can feel fresh without losing what readers love. They explore the idea of “same but different” across genres, sequels, and series—looking at how small shifts in structure, context, tone, or theme can create meaningful novelty. Drawing on examples from novels, film, television, and games, we unpack how patterns, expectations, and core questions shape reader experience. Our conversation also widens to encompass the larger question of how writers can evolve while still feeling recognizably like themselves.
Homework:
Choose two works from the same franchise or series. Break down what stayed the same and what changed, then reflect on which choices felt satisfying, surprising, or off-putting—and why.

ANNOUNCEMENTS: 
2/15 Cruise Prices Increase 
The final WXR cruise* sets sail for Alaska in September 2026—get your tickets now before prices increase on February 15th! 
Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.
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Our hosts take on the Hero’s Journey—where it came from, why it endures, and why it can make writers uneasy. They break it down as a tool (and not a rule), exploring how pattern recognition works in storytelling without turning structure into a formula. Along the way, they discuss reluctant heroes, mentors, departures, and returns, using familiar examples from fantasy, film, and beyond. The conversation also digs into how stories can satisfy expectations—or deliberately invert them—without becoming predictable or tropey.
Homework:
Take a simple outline of the Hero’s Journey (we’ll include one in the liner notes). On an index card or Post-it, list as many stories, films, or shows as you can that follow this pattern, just to see how and where it shows up.

ANNOUNCEMENTS: 
2/15 Cruise Prices Increase 
The final WXR cruise* sets sail for Alaska in September 2026—get your tickets now before prices increase on February 15th! 
Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.
Join Our Writing Community! 
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* Check out Quince: https://quince.com/wx
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Plot isn’t a set of commandments—it’s a collection of patterns we’ve learned to recognize. This episode kicks off the season’s deep dive into deconstructing plots, asking what different story structures are really doing beneath the surface and why they work (or don’t). Our hosts unpack plot as a toolbox rather than a formula, exploring action plots vs. emotion plots, Western vs. non-Western structures, and how audience expectations shape everything from middles to endings. This conversation reframes plot as a way to pull readers through a story—not to box writers in.
Homework:
Pick a story you enjoy and gently reverse-engineer it. Go scene by scene and label each one simply as “good thing happened” or “bad thing happened.” Look for patterns you didn’t realize were there.

ANNOUNCEMENTS: 
2/15 Cruise Prices Increase 
The final WXR cruise* sets sail for Alaska in September 2026—get your tickets now before prices increase on February 15th! 
Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.
Join Our Writing Community! 
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* Check out Quince: https://quince.com/wx
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This week, we turn our attention to one of the most stubborn traps writers fall into: assuming someone else’s process should work for you. Building on last episode’s conversation about intentions, the hosts shift the focus from what you should do to how you can figure out what actually works, starting with observation, pattern-spotting, and a little self-compassion.
The discussion moves through practical ways to lower friction and build supportive rituals—linking tasks together, listening to physical and emotional cues, and treating yourself like your own best assistant. Along the way, the hosts emphasize that your reactions are data, your process is allowed to change, and permission to be human is often the missing tool. The goal isn’t discipline for discipline’s sake, but a writing life that adapts to you.
Homework: 
Make a list of all the steps in your writing process, starting with the smallest, most concrete actions and working outward to the bigger ones. Then go through that list and notice which parts are serving you, which aren’t, and which you might want to change—without worrying yet about how to change them.

ANNOUNCEMENTS: 
Last Annual Cruise
The final WXR cruise* sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.
Call for Writing Breakthroughs
Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter! 

Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.
Join Our Writing Community! 
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Our Sponsors:
* Check out Gusto: https://gusto.com/WX
* Check out Quince: https://quince.com/wx
* Check out Quince: https://quince.com/wx
* Check out Talkiatry: https://talkiatry.com/WX

Support this podcast at — https://redcircle.com/writing-excuses2130/donations

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