Writing Excuses

As the end of Season 19 approaches, we want to help you integrate what you’ve learned over the year. For December, we’ll be releasing episodes designed to help you make measurable progress on a writing project. So dust off your current work-in-progress, or pull out your brainstorming documents—we’re here to help you finish the year strong.Today, we’re thinking about endings—specifically, what endings have in common with beginnings. When you’re coming to your conclusion, you can revisit the start of your work in order to get clues for how you should end it. You can also revisit your favorite works of fantasy fiction, which we’ve noticed often wraps things up with big climactic moments that don’t lose track of smaller moments of impact. Additionally, we talk about surprising versus inevitable endings, what Toy Story got right, and Howard’s rule for the last third of a story. Thing of the Week: Chants of SennaarHomework: Think of how what you’ve been writing recently is going to end. What might be the next scene you need to write? Write that. Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out Acorns: https://acorns.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We had the pleasure of sitting down with Gabriela Pereira, founder and instigator of DIY MFA, which is the do-it-yourself alternative to a Master of Arts in Writing. Pereira has some incredible advice for how to put together a writing curriculum for yourself. Using the pillars of writing, reading, and community, she explains how she first came up with the idea for DIY MFA. We also talk about how to build a well-rounded craft, how to know what you don’t know, and what exactly it means to “write with focus.”Thing of the Week: DIY MFA Starter KitHomework: Observe your own habits! Think about your writing time like a pie: 1 slice for writing, 1 slice for reading, and 1 slice for community. Draw a circle at the end of every day and map out how much time you spent doing each of these three things. Do this for several weeks, and watch the patterns that emerge! Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Erin Roberts, and Howard Tayler. Our guest was Gabriela Pereira. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out Acorns: https://acorns.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

As the end of Season 19 approaches, we want to help you integrate what you’ve learned over the year. For December, we’ll be releasing episodes designed to help you make measurable progress on a writing project. So dust off your current work-in-progress, or pull out your brainstorming documents—we’re here to help you finish the year strong.How do you have multiple plot threads moving at the same time? Today, we’re talking about complex plot structures—focusing on space opera and epic fantasy. Some of the questions we’re tackling are: how do you escalate existing problems, how do you juggle multiple climaxes at once, and what are the cascading effects of each? We ask each host about their unique approaches to writing larger projects. We talk about the utility of multiple POVs and what fast food can teach you about escalating problems (somebody’s gonna get burnt buns). Thing of the Week: Laboratory Conditions Homework: Take a piece of technology you’ve already introduced to your work. Find out a new, cool way you can use it in the next scene that you’re writing. Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out Acorns: https://acorns.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

As we wrap up our Close Reading Series, we’re shifting our focus towards helping you integrate what you’ve learned. For December, we’ll be releasing episodes designed to help you make measurable progress on a writing project. So dust off your current work-in-progress, or pull out your brainstorming documents—we’re here to help you finish the year strong.What can we learn from romances? Today we’re talking about using elements of romance in your story (even if you have no romance in your current WIP!) Character relationships and dynamics are often at the heart of our stories, so what can we learn from the romance genre? We’re thinking about the power of one character putting another one at ease, a character dismissing another (“I’ll never be interested in you!”), or two characters finding a commonality between themselves. Mary Robinette also introduces us to her family’s theory of compatibility, which measures these M-words: mind, money, morals, manners, monogamy, and mirth. Thing of the Week: Ancient History Fangirl (podcast)Homework: In the scene you’re working on, what is one thing your character finds attractive about the other character in the scene? Also, what does your own character think is their own least attractive trait, and how can you make them more anxious about that right now? Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out Acorns: https://acorns.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy