Sales Agents Explained: How Movies Actually Get Sold at Film Markets
In this episode, I explain what sales agents actually do for your movie at film markets like AFM, Cannes, and Berlin. From sending lineups weeks in advance to pitching buyers face-to-face, I break down the real process so you understand how films get sold—and why the final decision always comes down to the buyer.
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TVOD, SVOD, AVOD: The Filmmaker’s Crash Course on VOD Windows
TVOD, SVOD, and AVOD explained.
In this episode, I break down the three main types of video on demand, what each one means, and why the order of release windows is crucial to maximizing your revenue. Whether you’re an indie filmmaker or just curious about how movies make money today, this is your crash course on the new world of VOD.
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4:41
Film Market Networking Secrets: Tips for Cannes, EFM & AFM
Networking at film markets like Cannes, EFM, or AFM doesn’t have to be intimidating. In this episode, I share practical tips from over two decades of experience: how to break the ice, when to pitch (and when not to), and the simple strategies that make people actually want to connect with you. If you’ve ever felt awkward walking into a market, this episode is your roadmap to networking with confidence.
https://cart.filmmakingstuffhq.com/movie-meeting-mastery-secure-order/
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Why Most Indie Films Don’t Make Money (And How Yours Can)
Most indie films fail financially—but not for the reasons you think. In this episode, I break down the genres that sell, the ones that don’t, and why marketing can matter more than the movie itself. If you want your film to have a real shot at making money, this is a must-listen.
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Pitch Deck Pitfalls: 3 Mistakes That Kill Film Investor Interest
Your pitch deck can make or break your film financing. In this episode, I share the three biggest mistakes filmmakers make with their decks—too much text, too flashy, and too long—and show you exactly how to fix them so investors actually want to read and engage.
http://www.movieplanpro.com
New Zealand