Are print magazines really making a comeback, or is it wishful thinking?
It’s been five years since Bauer exited New Zealand, devastating the magazine industry and heralding an era of enormous disruption for media in this country. Iconic Auckland title, Metro Magazine, was a casualty of that closure. The publication has found its feet again and is flourishing under independent ownership. As Auckland evolves, so too does Metro.
Henry Oliver has been the editor of Metro for over six years now. He joins Anna Rawhiti-Connell to discuss magazine life five years after the Bauer exit, the growing buzz about the revival of print magazines, the impact of social media on criticism, reviews, social satire, and gossip, and how Metro stays relevant as a tastemaker in a constantly changing city.
They discuss what Oliver is most proud of, his editorial approach, and why magazines should deliver the expected and the unexpected. Oliver describes where the fun and reward lie for him as a magazine editor in a vastly changed industry and mulls whether a Felicity Ferret-esque figure (RIP to the queen of social satire and local snark), could ever make a comeback.
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1:04:14
What Trump’s tariffs could mean for media and the latest on NZME
Last week, NZME’s board laid out its case against Jim Grenon’s attempt to take control of the board, introducing previously unspoken concerns about editorial influence to the fight. It prompted a new round of reactions and letters and the introduction of a few new players.
Following Donald Trump’s tariff announcement, $6.6 trillion was wiped off the value of US stocks in 48 hours, creating fresh concern about a global economic downturn. While the tariffs don’t yet extend to services, lobbying efforts by tech companies and streamers to stop countries from forcing them to pay levies, invest in local content production, or meet quotas will be boosted by Trump’s war against the “overseas exploitation” of American companies, putting a potential dampener on New Zealand’s freshly minted media reform proposals.
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48:46
Careless People, Adolescence and where Meta is at
It's been a rough PR month for Meta, with two of the most-discussed cultural artefacts of the year both directly concerning their two biggest products. Duncan Greive is joined by Anna Rawhiti-Connell to discuss Careless People, the explosive memoir by New Zealand diplomat Sarah Wynn-Williams about her time at Facebook; and Adolescence, the extraordinary Netflix series about a murder which occurs after radicalisation and bullying on Instagram.
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1:03:18
Analysing the Grenon Letters – and is Trade Me buying Stuff?
Glen Kyne joins Duncan Greive on the Fold to discuss a torrid few weeks in media ownership, with billionaire Jim Grenon's attempt to install a new board at NZME and revelations that both parts of Stuff are potentially in play. Kyne and Greive discuss both of Grenon's letters, both the business analysis and the vision for news, while also looking at what Stuff could do if it was part of Trade Me's empire.
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53:32
A Gen X, a Millennial and a Gen Z talk about culture, media and reputations across generations
Love Song is a piece of research that Live Nation has been running for six years. It targets Gen Z and its relationship with music and culture, and – they don’t just do it for fun – about how brands can fit into all that. Duncan Greive is joined by his colleagues Gabi Lardies and Lyric Waiwiri-Smith to talk about that research, using it as a jumping off point to have a wider conversation about generations. Together they talk about the truths, the myths, the tensions and the weirdness of all this endless generational discourse.
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Conversations about the intersections of media, culture and technology in New Zealand, hosted by Duncan Greive, founder of The Spinoff.
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